{"id":8896,"date":"2025-10-01T10:01:44","date_gmt":"2025-10-01T10:01:44","guid":{"rendered":"https:\/\/sfpoetry.org\/wp\/?page_id=8896"},"modified":"2026-03-02T15:30:06","modified_gmt":"2026-03-02T15:30:06","slug":"2025-rhysling-anthology-and-award","status":"publish","type":"page","link":"https:\/\/sfpoetry.org\/wp\/rhysling-award\/2025-rhysling-anthology-and-award\/","title":{"rendered":"2025 Rhysling Anthology and Award"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Anthology Information<\/h2>\n\n\n\n<div class=\"wp-block-media-text has-media-on-the-right is-stacked-on-mobile\" style=\"grid-template-columns:auto 30%\"><div class=\"wp-block-media-text__content\">\n<p><strong>Rhysling Chair<\/strong>:<br>Pixie Bruner<\/p>\n\n\n\n<p><strong>Book Design<\/strong>: F.J. Bergmann<\/p>\n\n\n\n<p><strong>Cover Image<\/strong>:&nbsp;Last Green Hill of Earth (detail) by Lisa Vasquez<\/p>\n\n\n\n<p><strong>Publisher<\/strong>: Science Fiction Poetry Association<\/p>\n<\/div><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"663\" height=\"1024\" src=\"https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2025\/08\/rhysling-25-663x1024.jpg\" alt=\"\" class=\"wp-image-9201 size-full\" srcset=\"https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2025\/08\/rhysling-25-663x1024.jpg 663w, https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2025\/08\/rhysling-25-194x300.jpg 194w, https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2025\/08\/rhysling-25-768x1187.jpg 768w, https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2025\/08\/rhysling-25-994x1536.jpg 994w, https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2025\/08\/rhysling-25-1325x2048.jpg 1325w, https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2025\/08\/rhysling-25.jpg 1650w\" sizes=\"auto, (max-width: 663px) 100vw, 663px\" \/><\/figure><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h2 class=\"wp-block-heading\">Menu<\/h2>\n\n\n<nav class=\"has-text-color has-vivid-cyan-blue-color is-responsive  is-vertical has-text-decoration-underline wp-block-navigation is-layout-flex wp-container-core-navigation-is-layout-8cf370e7 wp-block-navigation-is-layout-flex\" aria-label=\"Rhysling Submenu\" \n\t\t data-wp-interactive=\"core\/navigation\" data-wp-context='{\"overlayOpenedBy\":{\"click\":false,\"hover\":false,\"focus\":false},\"type\":\"overlay\",\"roleAttribute\":\"\",\"ariaLabel\":\"Menu\"}'><button aria-haspopup=\"dialog\" aria-label=\"Open menu\" class=\"wp-block-navigation__responsive-container-open\" \n\t\t\t\tdata-wp-on--click=\"actions.openMenuOnClick\"\n\t\t\t\tdata-wp-on--keydown=\"actions.handleMenuKeydown\"\n\t\t\t><svg width=\"24\" height=\"24\" 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class=\"wp-block-navigation__responsive-container-close\" \n\t\t\t\tdata-wp-on--click=\"actions.closeMenuOnClick\"\n\t\t\t><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 24 24\" width=\"24\" height=\"24\" aria-hidden=\"true\" focusable=\"false\"><path d=\"m13.06 12 6.47-6.47-1.06-1.06L12 10.94 5.53 4.47 4.47 5.53 10.94 12l-6.47 6.47 1.06 1.06L12 13.06l6.47 6.47 1.06-1.06L13.06 12Z\"><\/path><\/svg><\/button>\n\t\t\t\t\t\t\t<div class=\"wp-block-navigation__responsive-container-content\" \n\t\t\t\tdata-wp-watch=\"callbacks.focusFirstElement\"\n\t\t\t id=\"modal-1-content\">\n\t\t\t\t\t\t\t\t<ul class=\"wp-block-navigation__container has-text-color has-vivid-cyan-blue-color is-responsive  is-vertical has-text-decoration-underline wp-block-navigation\"><li class=\" wp-block-navigation-item wp-block-navigation-link\"><a class=\"wp-block-navigation-item__content\"  href=\"https:\/\/sfpoetry.org\/wp\/rhysling-award\/\"><span class=\"wp-block-navigation-item__label\">About the Rhysling Award<\/span><\/a><\/li><li class=\" wp-block-navigation-item wp-block-navigation-link\"><a class=\"wp-block-navigation-item__content\"  href=\"#current\"><span class=\"wp-block-navigation-item__label\">Current Year&#8217;s Judge<\/span><\/a><\/li><li class=\" wp-block-navigation-item wp-block-navigation-link\"><a class=\"wp-block-navigation-item__content\"  href=\"#antho\"><span class=\"wp-block-navigation-item__label\">Most Recent Anthology<\/span><\/a><\/li><li class=\" wp-block-navigation-item wp-block-navigation-link\"><a class=\"wp-block-navigation-item__content\"  href=\"#support\"><span class=\"wp-block-navigation-item__label\">Support the Rhysling Anthology<\/span><\/a><\/li><li class=\" wp-block-navigation-item wp-block-navigation-link\"><a class=\"wp-block-navigation-item__content\"  href=\"https:\/\/sfpoetry.org\/wp\/rhysling-award\/rhysling-award-archive\/\"><span class=\"wp-block-navigation-item__label\">Rhysling Award Archive<\/span><\/a><\/li><li class=\" wp-block-navigation-item wp-block-navigation-link\"><a class=\"wp-block-navigation-item__content\"  href=\"https:\/\/sfpoetry.org\/wp\/rhysling-award\/#antho\"><span class=\"wp-block-navigation-item__label\">Rhysling Award Anthologies<\/span><\/a><\/li><\/ul>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div><\/nav><\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">All Award Winners<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h3 class=\"wp-block-heading\">Short Poem Category<\/h3>\n\n\n\n<p><strong>First Place:<\/strong> Lost Ark \u2022 F. J. Bergmann \u2022&nbsp;<em>Space &amp; Time Magazine<\/em>&nbsp;146<\/p>\n\n\n\n<p><strong>Second Place:<\/strong> A Black Hole is a Melting Pot That Will Make Us Whole \u2022 Pedro Iniguez \u2022&nbsp;<em>Star*Line<\/em>&nbsp;47.1<\/p>\n\n\n\n<p><strong>Third Place:<\/strong> The Witch Recalls Her Craft \u2022 Angel Leal \u2022&nbsp;<em>Uncanny<\/em>&nbsp;60<\/p>\n\n\n\n<p><strong>Honorable Mention:<\/strong> Things to Remember When Descending Through the Ocean \u2022 Sandra Kasturi \u2022&nbsp;<em>Poetry Society Stanza Poetry Competition<\/em>&nbsp;October<\/p>\n\n\n\n<p><strong>Honorable Mention: <\/strong>Generation Ship \u2022 Akua Lezli Hope \u2022&nbsp;<em>Star*Line<\/em>&nbsp;47.3<\/p>\n\n\n\n<p><strong>Honorable Mention: <\/strong>The Last Valkyrie \u2022 Pat Masson \u2022&nbsp;<em>Forgotten Ground Regained<\/em>&nbsp;2<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h3 class=\"wp-block-heading\">Long Poem Category<\/h3>\n\n\n\n<p><strong>First Place<\/strong>: The Blackthorn \u2022 Mary Soon Lee \u2022&nbsp;<em>Dreams &amp; Nightmares<\/em>&nbsp;126<\/p>\n\n\n\n<p><strong>Second Place:<\/strong> When it Really is Just the Wind, and Not a Furious Vexation \u2022 Kyle Tran Myrhe \u2022&nbsp;<em>Academy of American Poets Poem-a-Day<\/em>&nbsp;8\/6\/2024<\/p>\n\n\n\n<p><strong>Third Place:<\/strong> The Museum of Etymology \u2022 F. J. Bergmann \u2022&nbsp;<em>Star*Line<\/em>&nbsp;47.3<\/p>\n\n\n\n<p><strong>Honorable Mention: <\/strong>The House of Mulberry Leaves \u2022 Ryu Ando \u2022&nbsp;<em>Crow &amp; Cross Keys<\/em>&nbsp;2\/7\/2024<\/p>\n\n\n\n<p><strong>Honorable Mention: <\/strong>The Final Trick \u2022 Angela Liu \u2022&nbsp;<em>Strange Horizons<\/em>&nbsp;8\/26\/2024<\/p>\n\n\n\n<p><strong>Honorable Mention: <\/strong>Medicine For The Ailing Mortal, as Told in Seven Stories \u2022 Silvatiicus Riddle \u2022\u00a0<em>The Fairy Tale Magazine<\/em>\u00a05\/1\/2024<\/p>\n<\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Editor and Juror Biographies<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Editor<\/h3>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:33% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2025\/07\/BrunerPixie-768x1024.jpg\" alt=\"\" class=\"wp-image-8897 size-full\" srcset=\"https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2025\/07\/BrunerPixie-768x1024.jpg 768w, https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2025\/07\/BrunerPixie-225x300.jpg 225w, https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2025\/07\/BrunerPixie-1152x1536.jpg 1152w, https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2025\/07\/BrunerPixie.jpg 1536w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>Pixie Bruner<\/strong>&nbsp;(HWA\/SFPA) is a writer, editor, mutant, and cancer survivor. She lives in Atlanta, GA, with her doppelg\u00e4nger and their alien cats. Her collection&nbsp;<em>The Body As Haunted<\/em>&nbsp;was published in 2024 (Authortunities Press). She co-curated and edited&nbsp;<em>Nature Triumphs : A Charity Anthology of Dark Speculative Literature<\/em>&nbsp;(Dark Moon Rising Publications). Her words are in\/forthcoming from&nbsp;<em>Space &amp; Time Magazine, Hotel Macabre (Crystal Lake Publishing), Star*Line, Weird Fiction Quarterly, Dreams &amp; Nightmares, Angry Gable Press, Punk Noir<\/em>, and many more. She wrote for White Wolf Gaming Studio. Werespiders ruining LARPs are all her fault.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:33% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"200\" height=\"200\" src=\"https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2024\/10\/HopeAkuaLezli.jpg\" alt=\"a woman with glasses and an afro looks at the camera\" class=\"wp-image-590 size-full\" srcset=\"https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2024\/10\/HopeAkuaLezli.jpg 200w, https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2024\/10\/HopeAkuaLezli-150x150.jpg 150w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>Akua Lezli Hope, creator, wisdom seeker and paraplegic, is a Grand Master of Fantastic Poetry (SFPA), who has been in print since 1974. Her collections include Embouchure: Poems on Jazz and Other Musics (Writer\u2019s Digest book award winner), Them Gone &amp; Otherwheres: Speculative Poetry (Elgin Award winner).&nbsp;A Cave Canem fellow, her honors include the National Endowment for the Arts, two New York Foundation of the Arts fellowships, SFPA contest award, Rhysling awards, IGNYTE award &amp; Critter award; as well as multiple Best of the Net, Rhysling, Dwarf Star, &amp; Pushcart Prize nominations. She has won New York State Council of the Arts grants to create Afrofuturist, speculative, pastoral poetry and to explore disability poetics. She created the ongoing Speculative Sundays Poetry Reading series, now in its 6th year (2025). She edited NOMBONO: An Anthology of Speculative Poetry by BIPOC Creators, the history-making first of its kind and the largest Eye to the Telescope. Her speculative fiction is included in the ground-breaking anthology, Dark Matter, and in the celebrated Africa Risen anthology, among others. A crochet designer, hand papermaker and former flameworker, she creates and exhibits her mixed- and multi-media sculpture. She still wrestles with her soprano sax embouchure and is known to warble jazz tunes and a few favorite arias. Her new collection, TELEPATH, will be published by Gnashing Teeth Publishing in 2026.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:33% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2025\/10\/Pedro-Iniguez-Author-Photo-1.jpg\" alt=\"\" class=\"wp-image-9513 size-full\" srcset=\"https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2025\/10\/Pedro-Iniguez-Author-Photo-1.jpg 1024w, https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2025\/10\/Pedro-Iniguez-Author-Photo-1-300x300.jpg 300w, https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2025\/10\/Pedro-Iniguez-Author-Photo-1-150x150.jpg 150w, https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2025\/10\/Pedro-Iniguez-Author-Photo-1-768x768.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>Pedro&nbsp;Iniguez&nbsp;is a Mexican-American Bram Stoker, Elgin, and Dwarf Stars Award-winning science-fiction and horror writer from Los Angeles. He has also been a Rhysling finalist and Puschart Prize and Best of the Net nominee.<\/p>\n\n\n\n<p>He is the author of MEXICANS ON THE MOON: SPECULATIVE POETRY FROM A POSSIBLE FUTURE, FEVER DREAMS OF A PARASITE, ECHOES AND EMBERS: SPECULATIVE STORIES, SYNTHETIC DAWNS &amp; CRIMSON DUSKS, and the SF novel CONTROL THEORY.<\/p>\n\n\n\n<p>Apart from leading writing workshops and speaking at several colleges, he has also been a sensitivity reader and has ghostwritten for award-winning apps and online clients.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:33% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"340\" height=\"453\" src=\"https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2025\/10\/IMG_2443.jpeg\" alt=\"\" class=\"wp-image-9527 size-full\" srcset=\"https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2025\/10\/IMG_2443.jpeg 340w, https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2025\/10\/IMG_2443-225x300.jpeg 225w\" sizes=\"auto, (max-width: 340px) 100vw, 340px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>Angel Leal&nbsp;is a Latine, trans, ace writer who has several witches in the family. Their previous work appears in&nbsp;<em>Strange Horizons<\/em>,&nbsp;<em>Heartlines Spec<\/em>,&nbsp;<em>The Deadlands<\/em>,&nbsp;<em>Small Wonders<\/em>,&nbsp;<em>Radon Journal<\/em>, and elsewhere. They\u2019ve been nominated for the Pushcart Prize, the Rhysling, Best of the Net, the Utopia Award, and are a coadmin of CALAMITOUS, a queer SFFH writing group. You can find them at<a href=\"http:\/\/angel-leal.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">&nbsp;angel-leal.com<\/a>&nbsp;or floating around twitter @orbiting_angel.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:33% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1021\" src=\"https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2025\/10\/2025_01_Trillium_AWM-1024x1021.jpg\" alt=\"\" class=\"wp-image-9526 size-full\" srcset=\"https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2025\/10\/2025_01_Trillium_AWM-1024x1021.jpg 1024w, https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2025\/10\/2025_01_Trillium_AWM-300x300.jpg 300w, https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2025\/10\/2025_01_Trillium_AWM-150x150.jpg 150w, https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2025\/10\/2025_01_Trillium_AWM-768x766.jpg 768w, https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2025\/10\/2025_01_Trillium_AWM-1536x1531.jpg 1536w, https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2025\/10\/2025_01_Trillium_AWM-2048x2042.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>Mary Soon Lee was born and raised in London, but now lives in Pittsburgh, where she hides behind a cryptically named website (<a href=\"http:\/\/marysoonlee.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">marysoonlee.com<\/a>) and BlueSky account (@marysoonlee.bsky.social). She is a Grand Master of the Science Fiction &amp; Fantasy Poetry Association, and winner of the AnLab Readers&#8217; Award, Dwarf Stars Award, Elgin Award, Rhysling Award, and Utopia Award. An illustrated edition of her epic fantasy told in poems, \u201cThe Sign of the Dragon,\u201d was published in January 2025.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:33% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"600\" src=\"https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2025\/10\/Kyle-Tran-Myhre-Headshot.png\" alt=\"\" class=\"wp-image-9525 size-full\" srcset=\"https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2025\/10\/Kyle-Tran-Myhre-Headshot.png 400w, https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2025\/10\/Kyle-Tran-Myhre-Headshot-200x300.png 200w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><em>Kyle Tran Myhre is a poet and activist based in Minneapolis. A member of two National Poetry Slam championship teams, he\u2019s also been featured on a Grammy-winning album, performed at the United Nations, and visited countless colleges, conferences, and festivals, using spoken word and storytelling as doorways into critical dialogue. His most recent book, &#8220;Not a Lot of Reasons to Sing, But Enough,&#8221; is available now via Button Poetry. More:&nbsp;<a href=\"http:\/\/www.guante.info\/\" target=\"_blank\" rel=\"noreferrer noopener\">www.guante.info<\/a>.<\/em><\/p>\n<\/div><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Jury for the Short Poem Category<\/h3>\n\n\n\n<p><strong>Eugen Bacon<\/strong>&nbsp;is an African Australian author. She\u2019s a British Fantasy and Foreword Indies Award winner, a twice World Fantasy Award finalist, and a finalist in the Shirley Jackson, Philip K. Dick Award, and the Nommo Awards for speculative fiction by Africans. Eugen was announced in the honor list of the Otherwise Fellowships for \u2018doing exciting work in gender and speculative fiction\u2019. Danged Black Thing made the Otherwise Award Honor List as a \u2018sharp collection of Afro-Surrealist work\u2019. She\u2019s a multi-nominated Rhysling, Dwarf Stars and Elgin Award nominee for her prose poetry. Visit her at&nbsp;<a href=\"http:\/\/eugenbacon.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">eugenbacon.com<\/a>.<\/p>\n\n\n\n<p>A life-long sci-fi fan,&nbsp;<strong>AC Edwards<\/strong>&nbsp;participates in the biannual Poem-a-Day Challenges (through Robert Lee Brewer&#8217;s Poetic Asides blog). She has had poems and essays published in The Gunpowder Review, the online journal Wordgathering, WNC Woman, the BSFAN (Balticon46 Convention Souvenir Book), as well Mermaid Dreams, a limited edition chapbook from Blue Light Press. Her poems have won third place in the Baltion46 Poetry Contest and the 2011 Inglis House Disability Poetry Contest (written by a non-disabled person). Her poem \u201cDreams\u201d was chosen as a subject for a disability-related lesson plan by Vicky Lotas, an ESL teacher, on her blog. AC Edwards was born in NC, grew up in the Alaskan Bush, is a former massage therapist and has earned a black belt in karate. She still has hopes for one in jiu-jitsu. When not writing, AC can be found on the couch, being held hostage by a book\u2014usually a science fiction or fantasy novel\u2014and two Siberian Huskies.<\/p>\n\n\n\n<p><strong>Jean-Paul L. Garnier&nbsp;<\/strong>is the owner of Space Cowboy Books bookstore and publishing house, producer of Simultaneous Times Podcast (2023 Laureate Award Winner, 2024 BSFA, Ignyte, and British Fantasy Award Finalist), and was the editor of the SFPA&#8217;s Star*Line magazine from 2021-2025. He is also the poetry editor of Worlds of IF &amp; Galaxy magazines. In 2024 he won the Laureate Award for Best Editor. He has written many books of poetry and science fiction. More at&nbsp;<a href=\"http:\/\/spacecowboybooks.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">spacecowboybooks.com<\/a><\/p>\n\n\n\n<p><strong>John Philip Johnson<\/strong>&nbsp;is a Pushcart Prize-winning poet with work in or forthcoming from Image, Southern Poetry Review, Rattle, Strange Horizons, Pedestal, Rust &amp; Moth, Asimov\u2019s Science Fiction Magazine, Mythic Delirium, Dreams &amp; Nightmares, Daily Science Fiction, the newspaper column, \u201cAmerican Life in Poetry,\u201d and many other places. He has two comic books of graphic poetry, Stairs Appear in a Hole Outside of Town and The Book of Fly, the latter which won an Elgin Award. He would live on Mars if his wife, Sue, would go with him.&nbsp;<a href=\"http:\/\/www.johnphilipjohnson.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">www.johnphilipjohnson.com<\/a>.&nbsp;<\/p>\n\n\n\n<p><strong>Herb Kauderer&nbsp;<\/strong>is a tenured English professor at Hilbert College in Hamburg, NY. He lives in Blasdell near the northeast corner of Lake Erie in the midst of endless wind. He holds a PhD in popular literature and an MFA in screenwriting. Herb has been an active member of SFPA since 1989. He has written in many areas, and has had well over two thousand poems published, including 24 books and\/or chapbooks with more in press. He has often been a juror for the Stoker Awards and has sat on many other award juries.<\/p>\n\n\n\n<p><strong>Ian Willey<\/strong>&nbsp;is a professor, editor, and writer from Akron, Ohio, now living in Japan. He introduced the term convenience editing to the field of second language acquisition. He began writing poems, prose poems, and flash fiction with a speculative element around 2019; his work can be seen in such online journals as Unbroken, Moon Park Review, Uppagus, and Mobius: The Journal of Social Change. He was nominated for Pushcart and\/or Best of the Net Prizes in 2019\u20132023.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Jury for the Long Poem Category<\/h3>\n\n\n\n<p><strong>Angela Acosta<\/strong>&nbsp;is an Assistant Professor of Spanish at the University of South Carolina Columbia. Her creative and academic work center on imagining possible worlds and preserving the cultural legacies of women writers. She is a 2022 Dream Foundry Contest for Emerging Writers Finalist, and her poetry has been nominated for the Pushcart Prize, Best of the Net, and the Dwarf Stars, Elgin, and Rhysling awards. Her poems have appeared in Heartlines Spec, Shoreline of Infinity, Apparition Lit, Radon Journal, and Space &amp; Time. She is author of Summoning Space Travelers (Hiraeth Publishing, 2022) and A Belief in Cosmic Dailiness (Red Ogre Review, 2023).<\/p>\n\n\n\n<p><strong>Ennis Rook Bashe<\/strong>&nbsp;is a two-time Elgin Award finalist, Rhysling Award finalist, TAP New York Writers\u2019 Institute Poetry Prize winner, and Lesfic Bard Award-winning poet\/novelist\/game designer\/dog aficionado. Their work has appeared in Strange Horizons, Cricket, and Liminality Magazine, and their chapbook Beautiful Malady (Interstellar Flight Press) includes work nominated for the Pushcart Prize. They are also a judge for the Scholastic Art and Writing awards in the Poetry and Flash Fiction categories. Find more writing and information at&nbsp;<a href=\"https:\/\/linktr.ee\/ennisrookbashe\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/linktr.ee\/ennisrookbashe<\/a>.<\/p>\n\n\n\n<p><strong>Fran Eisemann<\/strong>&nbsp;is a writer, editor, and artist. She is Editor-in-Chief of Cosmic Roots &amp; Eldritch Shores, the online magazine of science fiction, fantasy, myth, legend, fairy tale, and eldritch stories, poems, art, articles, reviews, interviews, and podcasts.<\/p>\n\n\n\n<p><strong>Robert Frazier&nbsp;<\/strong>lives on Nantucket Island working as Artistic Director for Artists Association of Nantucket, with a 45-year career as an oil painter. He is a founding member of the SFPA and served as Editor for Star*Line issues 4.1 through 14.1 as well as some of the early Rhysling Anthologies. He edited the 1984 speculative anthology Burning With a Vision 1984 and the 2020 art history book Born From A Hurricane. He has nine poetry collections, won three Rhysling Awards (2 short, 1 long), and was nominated for the Nebula for his short fiction. In 2005 Robert was named SFPA Grand Master. His interests include science poetry, fine art printmaking, beachcombing, art history, birding, geology, and en plein air painting.<\/p>\n\n\n\n<p><strong>Shane Morin<\/strong>&nbsp;is an urban poet living in Dover, New Hampshire. After a loss of parental time due to divorce, he began writing as a grief process. Since then, he has honed his craft to blend post-modernity with speculative concepts and topics of contemporary horror. Shane identifies as a feminist and LGBTQIA++ ally. He is currently completing his Master\u2019s in Literature at UNH, and hopes to earn a PhD in Poetry at Old Dominion. In his spare time, Shane binges Farscape and anything Star Trek.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Finalist Poems<\/h2>\n\n\n\n<p>The 50 short poems and 25 long poems below were selected by jurors from the list of all nominated poems.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Short Poems<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>After they blasted your home planet to shrapnel \u2022 P. H. Low \u2022&nbsp;<em>Haven Spec<\/em>&nbsp;14<\/li>\n\n\n\n<li>aftermath, in the city: a diary \u2022 Peter Roberts \u2022&nbsp;<em>Chrome Baby<\/em>&nbsp;133<\/li>\n\n\n\n<li>Battle of the Sexless \u2022 Colleen Anderson \u2022&nbsp;<em>Bestiary of Blood<\/em>&nbsp;(Crystal Lake Publishing, October)<\/li>\n\n\n\n<li>A Black Hole is a Melting Pot That Will Make Us Whole \u2022 Pedro Iniguez \u2022&nbsp;<em>Star*Line<\/em>&nbsp;47.1<\/li>\n\n\n\n<li>Bobblehead \u2022 Carol Gyzander \u2022&nbsp;<em>Discontinue if Death Ensues<\/em>&nbsp;(Flame Tree Collections, October)<\/li>\n\n\n\n<li>Born Against Teeth \u2022 Tiffany Morris \u2022&nbsp;<em>Grimm Retold<\/em>&nbsp;(Speculation Publications, September)<\/li>\n\n\n\n<li>Brandy Old Fashioned \u2022 Amelia Gorman \u2022&nbsp;<em>Eye to the Telescope<\/em>&nbsp;53<\/li>\n\n\n\n<li>Chronoverse \u2022 Jeffery Allen Tobin \u2022&nbsp;<em>Star*Line<\/em>&nbsp;47.3<\/li>\n\n\n\n<li>Colony Xaxbara 4 \u2022 Kimberly Kuchar \u2022&nbsp;<em>The Space Cadet Science Fiction Review<\/em>&nbsp;2<\/li>\n\n\n\n<li>Dodging the Bullet \u2022 Lisa M. Bradley \u2022&nbsp;<em>Small Wonders<\/em>&nbsp;13<\/li>\n\n\n\n<li>Fractal \u2022 Jack Cooper \u2022&nbsp;<em>Poetry News<\/em>&nbsp;Spring 2024<\/li>\n\n\n\n<li>Generation Ship \u2022 Akua Lezli Hope \u2022&nbsp;<em>Star*Line<\/em>&nbsp;47.3<\/li>\n\n\n\n<li>Gingerbread \u2022 Stephanie M. Wytovich \u2022&nbsp;<em>The Orange &amp; Bee<\/em>&nbsp;2<\/li>\n\n\n\n<li>Gravitation is Only a Theory \u2022 Alan Katerinsky \u2022&nbsp;<em>Wheeling, Yet Not Free<\/em>&nbsp;(Written Image Press, July)<\/li>\n\n\n\n<li>The High Priestess Falls in Love with Death \u2022 Ali Trotta \u2022&nbsp;<em>The Deadlands<\/em>&nbsp;35<\/li>\n\n\n\n<li>In the Future, AI Will Make Ofrendas \u2022 Felicia Mart\u00ednez \u2022&nbsp;<em>Asimov&#8217;s<\/em>&nbsp;Jan\/Feb 2024<\/li>\n\n\n\n<li>The Last Valkyrie \u2022 Pat Masson \u2022&nbsp;<em>Forgotten Ground Regained<\/em>&nbsp;2<\/li>\n\n\n\n<li>The Last Woman \u2022 Anna Taborska \u2022&nbsp;<em>Discontinue if Death Ensues<\/em>&nbsp;(Flame Tree Collections, October)<\/li>\n\n\n\n<li>Lesson\u2019s End \u2022 Brian Hugenbruch \u2022&nbsp;<em>Samjoko<\/em>&nbsp;Summer 2024<\/li>\n\n\n\n<li>Let&#8217;s Pretend It&#8217;s a Bird \u2022 Roger Dutcher \u2022&nbsp;<em>NewMyths<\/em>&nbsp;69<\/li>\n\n\n\n<li>Lost Ark \u2022 F. J. Bergmann \u2022&nbsp;<em>Space &amp; Time Magazine<\/em>&nbsp;146<\/li>\n\n\n\n<li>Make me a sandwich \u2022 Marisca Pichette \u2022&nbsp;<em>Star*Line<\/em>&nbsp;47.2<\/li>\n\n\n\n<li>New Homestead \u2022 Akua Lezli Hope \u2022&nbsp;<em>Sublimation<\/em>&nbsp;Volume 1, Issue 5<\/li>\n\n\n\n<li>Notes from a Centaur&#8217;s Curator \u2022 Gwen Sayers \u2022&nbsp;<em>Ghost Sojourn<\/em>&nbsp;(Southword Editions, April)<\/li>\n\n\n\n<li>The Oarfish Bride \u2022 Amelia Gorman \u2022&nbsp;<em>Baubles From Bones<\/em>&nbsp;2<\/li>\n\n\n\n<li>Odysseus\u2019s Apology to Anticlea \u2022 Anastasios Mihalopoulos \u2022&nbsp;<em>Lit Magazine<\/em>&nbsp;37<\/li>\n\n\n\n<li>The Old Tradition \u2022 Zaynab Iliyasu Bobi \u2022&nbsp;<em>FIYAH<\/em>&nbsp;32<\/li>\n\n\n\n<li>One Bright Moment \u2022 Kate Boyes \u2022&nbsp;<em>SFPA Valentines Day Reading<\/em><\/li>\n\n\n\n<li>One Large Deep Fried Thistle Burr \u2022 Jonathan Olfert \u2022&nbsp;<em>Strange Horizons<\/em>&nbsp;8\/19\/2024<\/li>\n\n\n\n<li>Our Combusted Planet \u2022 Brian U. Garrison \u2022&nbsp;<em>Dreams &amp; Nightmares<\/em>&nbsp;126<\/li>\n\n\n\n<li>Pa(i)ncakes \u2022 Dex Drury \u2022&nbsp;<em>Slay and Slay Again!<\/em>&nbsp;(Sliced Up Press, July)<\/li>\n\n\n\n<li>Right to Shelter \u2022 Mary Soon Lee \u2022&nbsp;<em>Radon Journal<\/em>&nbsp;7<\/li>\n\n\n\n<li>Rising Star \u2022 David C. Kopaska-Merkel \u2022&nbsp;<em>Spectral Realms<\/em>&nbsp;21<\/li>\n\n\n\n<li>Robin&#8217;s Rest \u2022 Lisa Timpf \u2022&nbsp;<em>Eye to the Telescope<\/em>&nbsp;54<\/li>\n\n\n\n<li>Sea and Sky \u2022 Megan Branning \u2022&nbsp;<em>The Magazine of Fantasy and Science Fiction<\/em>&nbsp;Winter 2024<\/li>\n\n\n\n<li>Song Through Wires \u2022 Jacqueline West \u2022&nbsp;<em>Star*Line<\/em>&nbsp;47.4<\/li>\n\n\n\n<li>Sonnet for the Unbeliever \u2022 Paul Chuks \u2022&nbsp;<em>Strange Horizons<\/em>&nbsp;5\/20\/2024<\/li>\n\n\n\n<li>Space Psychiatry \u2022 Anna Cates \u2022&nbsp;<em>Star*Line<\/em>&nbsp;47.3<\/li>\n\n\n\n<li>Things to Remember When Descending Through the Ocean \u2022 Sandra Kasturi \u2022&nbsp;<em>Poetry Society Stanza Poetry Competition<\/em>&nbsp;October<\/li>\n\n\n\n<li>the time travel body \u2022 Angel Leal \u2022&nbsp;<em>Radon Journal<\/em>&nbsp;8<\/li>\n\n\n\n<li>Transhumanist Classroom \u2022 Pedro Iniguez \u2022&nbsp;<em>Mexicans on the Moon: Speculative Poetry from a Possible Future<\/em>&nbsp;(Space Cowboy Books, November)<\/li>\n\n\n\n<li>traveling through breaths \u2022 Eva Papasoulioti \u2022&nbsp;<em>Radon Journal<\/em>&nbsp;6<\/li>\n\n\n\n<li>Trinary \u2022 Amabilis O&#8217;Hara \u2022&nbsp;<em>Heartlines Spec<\/em>&nbsp;4<\/li>\n\n\n\n<li>Trip Through the Robot \u2022 Carolyn Clink &amp; David Clink \u2022&nbsp;<em>Giant Robot Poems<\/em>&nbsp;(Middle West Press, July)<\/li>\n\n\n\n<li>Visions of Manhattan \u2022 Ian Li \u2022&nbsp;<em>Eye to the Telescope<\/em>&nbsp;53<\/li>\n\n\n\n<li>A War of Words \u2022 Marie Brennan \u2022&nbsp;<em>Strange Horizons<\/em>&nbsp;9\/16\/2024<\/li>\n\n\n\n<li>We Carry Our Ghosts to the Stars \u2022 Richard Leis \u2022&nbsp;<em>Star*Line<\/em>&nbsp;47.3<\/li>\n\n\n\n<li>What Dragons Didn&#8217;t Do \u2022 Mary Soon Lee \u2022&nbsp;<em>Uppagus<\/em>&nbsp;6<\/li>\n\n\n\n<li>The Witch Recalls Her Craft \u2022 Angel Leal \u2022&nbsp;<em>Uncanny<\/em>&nbsp;60<\/li>\n\n\n\n<li>You Are a Monster \u2022 Beth Cato \u2022&nbsp;<em>Worlds of Possibility<\/em>&nbsp;August 2024 Issue<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Long Poems<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>9<sup>n<\/sup>&nbsp;Lives \u2022 Mary A. Turzillo \u2022&nbsp;<em>Eccentric Orbits 5<\/em>&nbsp;(Dimensionfold Publishing, October)<\/li>\n\n\n\n<li>The Blackthorn \u2022 Mary Soon Lee \u2022&nbsp;<em>Dreams &amp; Nightmares<\/em>&nbsp;126<\/li>\n\n\n\n<li>Body Revolt \u2022 Casey Aimer \u2022&nbsp;<em>Strange Horizons<\/em>&nbsp;7\/29\/2024<\/li>\n\n\n\n<li>Change Your Mind \u2022 Gwendolyn Maia Hicks \u2022&nbsp;<em>Small Wonders<\/em>&nbsp;16<\/li>\n\n\n\n<li>Divide By Zero \u2022 Michael Bailey \u2022&nbsp;<em>Written Backwards<\/em>&nbsp;12\/22\/24 Post<\/li>\n\n\n\n<li>Draco Hesperidum \u2022 Eric Brown \u2022&nbsp;<em>Eternal Haunted Summer<\/em>&nbsp;Summer Solstice 2024<\/li>\n\n\n\n<li>Elemental Scales \u2022 Ruth Berman \u2022&nbsp;<em>Star*Line<\/em>&nbsp;47.1<\/li>\n\n\n\n<li>The Fabulous Underwater Panther \u2022 Marsheila Rockwell \u2022&nbsp;<em>Blood Quantum &amp; Other Hate Crimes<\/em>&nbsp;(Fallen Tree Press, July)<\/li>\n\n\n\n<li>The Final Trick \u2022 Angela Liu \u2022&nbsp;<em>Strange Horizons<\/em>&nbsp;8\/26\/2024<\/li>\n\n\n\n<li>Giant Robot and His Person \u2022 Akua Lezli Hope \u2022&nbsp;<em>FIYAH<\/em>&nbsp;31<\/li>\n\n\n\n<li>The High Priestess Writes a Love Letter to The Magician \u2022 Ali Trotta \u2022&nbsp;<em>Uncanny<\/em>&nbsp;58<\/li>\n\n\n\n<li>The House of Mulberry Leaves \u2022 Ryu Ando \u2022&nbsp;<em>Crow &amp; Cross Keys<\/em>&nbsp;2\/7\/2024<\/li>\n\n\n\n<li>In Graves Wood \u2022 Si\u00e2n Thomas \u2022&nbsp;<em>Long Poem Magazine<\/em>&nbsp;32<\/li>\n\n\n\n<li>The Last Voyage: Island Relocation Program \u2022 Steve Wheat \u2022&nbsp;<em>Radon Journal<\/em>&nbsp;8<\/li>\n\n\n\n<li>Medicine For The Ailing Mortal, as Told in Seven Stories \u2022 Silvaticus Riddle \u2022&nbsp;<em>The Fairy Tale Magazine<\/em>&nbsp;5\/1\/2024<\/li>\n\n\n\n<li>The Museum of Etymology \u2022 F. J. Bergmann \u2022&nbsp;<em>Star*Line<\/em>&nbsp;47.3<\/li>\n\n\n\n<li>My Queen&#8217;s Last Gift \u2022 Adele Gardner \u2022&nbsp;<em>Dark Dead Things<\/em>&nbsp;3<\/li>\n\n\n\n<li>Porphyria\u2019s Lover \u2022 Anna Cates \u2022&nbsp;<em>Abyss &amp; Apex<\/em>&nbsp;92<\/li>\n\n\n\n<li>The Price of Becoming a Villain is to Quell One&#8217;s Kin in a Charade of Pact with The Gods \u2022 Nwuguru Chidiebere Sullivan \u2022&nbsp;<em>The Deadlands<\/em>&nbsp;36<\/li>\n\n\n\n<li>Shattered Souls at Heaven\u2019s Gate \u2022 Ay\u00f2d\u00e9j\u00ec Israel \u2022&nbsp;<em>The Deadlands<\/em>&nbsp;36<\/li>\n\n\n\n<li>Star Stitcher \u2022 A. J. Van Belle \u2022&nbsp;<em>Haven Spec<\/em>&nbsp;13<\/li>\n\n\n\n<li>Watching \u2022 Vonnie Winslow Crist \u2022&nbsp;<em>Shivers, Scares, and Chills<\/em>&nbsp;(Dark Owl Publishing, October)<\/li>\n\n\n\n<li>We Makes It \u2022 J.H. Siegal \u2022&nbsp;<em>Penumbric<\/em>&nbsp;April 2024 Issue<\/li>\n\n\n\n<li>What Beautiful Heavens These \u2022 Kaya Skovdatter \u2022&nbsp;<em>Strange Horizons<\/em>&nbsp;12\/23\/2024<\/li>\n\n\n\n<li>When it Really is Just the Wind, and Not a Furious Vexation \u2022 Kyle Tran Myrhe \u2022&nbsp;<em>Academy of American Poets Poem-a-Day<\/em>&nbsp;8\/6\/2024<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">All Nominated Poems<\/h2>\n\n\n\n<p>99 members nominated 83 short poems and 61 long poems.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Short Poems<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Abstain from Spinning, beauty \u2022 Dyani Sabin \u2022&nbsp;<em>Small Wonders<\/em>&nbsp;14<\/li>\n\n\n\n<li>After they blasted your home planet to shrapnel \u2022 P. H. Low \u2022&nbsp;<em>Haven Spec<\/em>&nbsp;14<\/li>\n\n\n\n<li>aftermath, in the city. a diary \u2022 Peter Roberts \u2022&nbsp;<em>Chrome Baby<\/em>&nbsp;133<\/li>\n\n\n\n<li>Amateur Mycologists \u2022 Mariel Herbert \u2022&nbsp;<em>Baubles From Bones<\/em>&nbsp;2<\/li>\n\n\n\n<li>Battle of the Sexless \u2022 Colleen Anderson \u2022&nbsp;<em>Bestiary of Blood<\/em>&nbsp;(Crystal Lake Publishing, October)<\/li>\n\n\n\n<li>A Black Hole is a Melting Pot That Will Make Us Whole \u2022 Pedro Iniguez \u2022&nbsp;<em>Mexicans on the Moon: Speculative Poetry from a Possible Future<\/em>&nbsp;(Space Cowboy Books, November)<\/li>\n\n\n\n<li>Bobblehead \u2022 Carol Gyzander \u2022&nbsp;<em>Discontinue if Death Ensues<\/em>&nbsp;(Flame Tree Collections, October)<\/li>\n\n\n\n<li>Born Against Teeth \u2022 Tiffany Morris \u2022&nbsp;<em>Grimm Retold<\/em>&nbsp;(Speculation Publications, September)<\/li>\n\n\n\n<li>Brandy Old Fashioned \u2022 Amelia Gorman \u2022&nbsp;<em>Eye to the Telescope<\/em>&nbsp;53<\/li>\n\n\n\n<li>Briar Tea Party \u2022 Gretchen Tessmer \u2022&nbsp;<em>A Frolic of Fairies<\/em>&nbsp;(West Avenue Publishing, April)<\/li>\n\n\n\n<li>Bridge of Grass, Bridge of Suspension \u2022 Katherine Quevedo \u2022&nbsp;<em>The Inca Weaver&#8217;s Tale<\/em>&nbsp;(Sword &amp; Kettle Press, January)<\/li>\n\n\n\n<li>Chronoverse \u2022 Jeffrey Allen Tobin \u2022&nbsp;<em>Star*Line<\/em>&nbsp;47.3<\/li>\n\n\n\n<li>Colony Xaxbara 4 \u2022 Kimberly Kuchar \u2022&nbsp;<em>The Space Cadet Science Fiction Review<\/em>&nbsp;2<\/li>\n\n\n\n<li>Dietary Advice \u2022 P. S. Cottier \u2022&nbsp;<em>BFS Horizons<\/em>&nbsp;17<\/li>\n\n\n\n<li>Dodging the Bullet \u2022 lisa M. Bradley \u2022&nbsp;<em>Small Wonders<\/em>&nbsp;13<\/li>\n\n\n\n<li>Dragon Flight \u2022 Vince Gotera \u2022&nbsp;<em>Dragons &amp; Rayguns<\/em>&nbsp;(Final Thursday Press, August)<\/li>\n\n\n\n<li>Dragonette \u2022 Wendy Van Camp \u2022&nbsp;<em>Eccentric Orbits 5<\/em>&nbsp;(Dimensionfold Publishing, October)<\/li>\n\n\n\n<li>Dryad&#8217;s Temple \u2022 Colleen Anderson \u2022&nbsp;<em>Journ-E<\/em>&nbsp;Volume 3, Number 1<\/li>\n\n\n\n<li>Flyaway \u2022 Eva Papasoulioti \u2022&nbsp;<em>Utopia Science Fiction<\/em>&nbsp;August<\/li>\n\n\n\n<li>Fractal \u2022 Jack Cooper \u2022&nbsp;<em>Poetry News<\/em>&nbsp;Spring 2024<\/li>\n\n\n\n<li>from Venus, to Mars \u2022 Cail\u00edn Frankland \u2022&nbsp;<em>Eye to the Telescope<\/em>&nbsp;55<\/li>\n\n\n\n<li>The Future We Build Today \u2022 Jenny Thompson \u2022&nbsp;<em>The Pink Hydra<\/em>&nbsp;Volume 1, Issue 2<\/li>\n\n\n\n<li>Generation Ship \u2022 Akua Lezli Hope \u2022&nbsp;<em>Star*Line<\/em>&nbsp;47.3<\/li>\n\n\n\n<li>Ghost Land of Giants \u2022 linda D. Addison \u2022&nbsp;<em>Folk Horror Short Stories<\/em>&nbsp;(Flame Tree Press, August)<\/li>\n\n\n\n<li>Gingerbread \u2022 Stephanie M. Wytovich \u2022&nbsp;<em>The Orange &amp; Bee<\/em>&nbsp;2<\/li>\n\n\n\n<li>A Golden Flame\/The Beheading of a Ram \u2022 Nnadi Samuel \u2022&nbsp;<em>Abyss &amp; Apex<\/em>&nbsp;89<\/li>\n\n\n\n<li>Gravitation is Only a Theory \u2022 Alan Katerinsky \u2022&nbsp;<em>Wheeling, Yet Not Free<\/em>&nbsp;(Written Image Press, July)<\/li>\n\n\n\n<li>Grendelsong: A Merewif&#8217;s Lament \u2022 Carina Bissett \u2022&nbsp;<em>Mother Knows Best<\/em>&nbsp;(Black Spot Books, May)<\/li>\n\n\n\n<li>Here\u2019s Flowers for You \u2022 Diana Webb \u2022&nbsp;<em>Contemporary Haibun Online<\/em>&nbsp;20.2<\/li>\n\n\n\n<li>The High Priestess Falls in Love with Death \u2022 Ali Trotta \u2022&nbsp;<em>The Deadlands<\/em>&nbsp;35<\/li>\n\n\n\n<li>In the Future, AI Will Make Ofrendas \u2022 Felicia Martinez \u2022&nbsp;<em>Asimov&#8217;s<\/em>&nbsp;Jan\/Feb 2024<\/li>\n\n\n\n<li>#LANDBACK \u2022 Marsheila Rockwell \u2022&nbsp;<em>Blood Quantum &amp; Other Hate Crimes<\/em>&nbsp;(Fallen Tree Press, July)<\/li>\n\n\n\n<li>The Last Valkyrie \u2022 Pat Masson \u2022&nbsp;<em>Forgotten Ground Regained<\/em>&nbsp;2<\/li>\n\n\n\n<li>The Last Woman \u2022 Anna Taborska \u2022&nbsp;<em>Discontinue if Death Ensues<\/em>&nbsp;(Flame Tree Collections, October)<\/li>\n\n\n\n<li>Lesson\u2019s End \u2022 Brian Hugenbruch \u2022&nbsp;<em>Samjoko<\/em>&nbsp;Summer 2024<\/li>\n\n\n\n<li>Let&#8217;s Pretend It&#8217;s A Bird \u2022 Roger Dutcher \u2022&nbsp;<em>NewMyths<\/em>&nbsp;69<\/li>\n\n\n\n<li>Liminal \u2022 ayana walker \u2022&nbsp;<em>Space &amp; Time Magazine<\/em>&nbsp;147<\/li>\n\n\n\n<li>Lost Ark \u2022 F. J. Bergman \u2022&nbsp;<em>Space &amp; Time Magazine<\/em>&nbsp;146<\/li>\n\n\n\n<li>Make me a sandwich \u2022 Marisca Pichette \u2022&nbsp;<em>Star*Line<\/em>&nbsp;47.2<\/li>\n\n\n\n<li>Menomin\u2019s Dragon \u2022 Sandra lindow \u2022&nbsp;<em>Eye to the Telescope<\/em>&nbsp;52<\/li>\n\n\n\n<li>Mourning Person \u2022 Anuja Mitra \u2022&nbsp;<em>The Deadlands<\/em>&nbsp;33<\/li>\n\n\n\n<li>New Homestead \u2022 Akua Lezli Hope \u2022&nbsp;<em>Sublimation<\/em>&nbsp;Volume 1, Issue 5<\/li>\n\n\n\n<li>Notes from a Centaur&#8217;s Curator \u2022 Gwen Sayers \u2022&nbsp;<em>Ghost Sojourn<\/em>&nbsp;(Southword Editions, April)<\/li>\n\n\n\n<li>The Oarfish Bride \u2022 Amelia Gorman \u2022&nbsp;<em>Baubles From Bones<\/em>&nbsp;2<\/li>\n\n\n\n<li>Odysseus\u2019s Apology to Anticlea \u2022 Anastasios Mihalopoulos \u2022&nbsp;<em>lit Magazine<\/em>&nbsp;37<\/li>\n\n\n\n<li>The Old Tradition \u2022 Zaynab Iliyasu Bobi \u2022&nbsp;<em>FIYAH<\/em>&nbsp;32<\/li>\n\n\n\n<li>One Bright Moment (International Research Station, Nili Fossae, Mars) \u2022 Kate Boyes \u2022&nbsp;<em>SFPA Valentines Day Reading<\/em><\/li>\n\n\n\n<li>One Large Deep Fried Thistle Burr \u2022 Jonathan Olfert \u2022&nbsp;<em>Strange Horizons<\/em>&nbsp;45523<\/li>\n\n\n\n<li>Our Combusted Planet \u2022 Brian Garrison \u2022&nbsp;<em>Dreams &amp; Nightmares<\/em>&nbsp;126<\/li>\n\n\n\n<li>Pa(i)ncakes \u2022 Dex Drury \u2022&nbsp;<em>Slay and Slay Again!<\/em>&nbsp;(Sliced Up Press, July)<\/li>\n\n\n\n<li>Poor Unfortunate Souls \u2022 R. Thursday \u2022&nbsp;<em>The Sprawl Mag<\/em>&nbsp;2.1<\/li>\n\n\n\n<li>Questions Asked of the Scrying Sword During the Quest for the Princess \u2022 Elis Montgomery \u2022&nbsp;<em>Small Wonders<\/em>&nbsp;17<\/li>\n\n\n\n<li>Ravens \u2022 Vonnie Winslow Crist \u2022&nbsp;<em>Shivers, Scares, and Chills<\/em>&nbsp;(Dark Owl Publishing, October)<\/li>\n\n\n\n<li>Right to Shelter \u2022 Mary Soon Lee \u2022&nbsp;<em>Radon Journal<\/em>&nbsp;7<\/li>\n\n\n\n<li>Rising Star \u2022 David C. Kopaska-Merkel \u2022&nbsp;<em>Spectral Realms<\/em>&nbsp;21<\/li>\n\n\n\n<li>Robin&#8217;s Rest \u2022 lisa Timpf \u2022&nbsp;<em>Eye to the Telescope<\/em>&nbsp;54<\/li>\n\n\n\n<li>Sea and Sky \u2022 Megan Branning \u2022&nbsp;<em>The Magazine of Fantasy and Science Fiction<\/em>&nbsp;Winter 2024<\/li>\n\n\n\n<li>Song Through Wires \u2022 Jacqueline West \u2022&nbsp;<em>Star*Line<\/em>&nbsp;47.4<\/li>\n\n\n\n<li>Sonnet for the Unbeliever \u2022 Paul Chuks \u2022&nbsp;<em>Strange Horizons<\/em>&nbsp;45432<\/li>\n\n\n\n<li>SOS \u2022 Simon MacCulloch \u2022&nbsp;<em>Dreams &amp; Nightmares<\/em>&nbsp;126<\/li>\n\n\n\n<li>Space Psychiatry \u2022 Anna Cates \u2022&nbsp;<em>Star*Line<\/em>&nbsp;47.3<\/li>\n\n\n\n<li>Speak of the Wolf \u2022 Silvatiicus Riddle \u2022&nbsp;<em>SFPA Halloween Reading<\/em><\/li>\n\n\n\n<li>Stargazing \u2022 Stewart C. Baker \u2022&nbsp;<em>Eccentric Orbits 5<\/em>&nbsp;(Dimensionfold Publishing, October)<\/li>\n\n\n\n<li>Storm-Stolen \u2022 Elena Sunyoung Kang \u2022&nbsp;<em>Carmina Magazine<\/em>&nbsp;September 2024 Issue<\/li>\n\n\n\n<li>The Suns in Her Eyes \u2022 Deborah L. Davitt \u2022&nbsp;<em>Baubles From Bones<\/em>&nbsp;3<\/li>\n\n\n\n<li>The Tentacular Crown \u2022 Bernardo Villela \u2022&nbsp;<em>Psythur 2<\/em>&nbsp;(Ravens Quoth Press, December)<\/li>\n\n\n\n<li>there are no taxis for the dead \u2022 Angela liu \u2022&nbsp;<em>Uncanny<\/em>&nbsp;58<\/li>\n\n\n\n<li>Things to Remember When Descending Through the Ocean \u2022 Sandra Kasturi \u2022&nbsp;<em>Poetry Society Stanza Poetry Competition<\/em>&nbsp;October<\/li>\n\n\n\n<li>Time Lord Thief \u2022 Vince Gotera \u2022&nbsp;<em>Altered Reality Journal<\/em>&nbsp;June<\/li>\n\n\n\n<li>the time travel body \u2022 Angel Leal \u2022&nbsp;<em>Radon Journal<\/em>&nbsp;8<\/li>\n\n\n\n<li>Totality \u2022 Mary A. Turzillo \u2022&nbsp;<em>The New Verse News<\/em>&nbsp;45390<\/li>\n\n\n\n<li>Transhumanist Classroom \u2022 Pedro Iniguez \u2022&nbsp;<em>Star*Line<\/em>&nbsp;47.1<\/li>\n\n\n\n<li>traveling through breaths \u2022 Eva Papasoulioti \u2022&nbsp;<em>Radon Journal<\/em>&nbsp;6<\/li>\n\n\n\n<li>Trinary \u2022 Amabilis O\u2019 Hara \u2022&nbsp;<em>Heartlines Spec<\/em>&nbsp;4<\/li>\n\n\n\n<li>Trip Through the Robot \u2022 Carolyn Clink &amp; David Clink \u2022&nbsp;<em>Giant Robot Poems<\/em>&nbsp;(Middle West Press, July)<\/li>\n\n\n\n<li>Visions of Manhattan \u2022 Ian li \u2022&nbsp;<em>Eye to the Telescope<\/em>&nbsp;53<\/li>\n\n\n\n<li>A War of Words \u2022 Marie Brennan \u2022&nbsp;<em>Strange Horizons<\/em>&nbsp;45551<\/li>\n\n\n\n<li>We Carry Our Ghosts to the Stars \u2022 Richard Leis \u2022&nbsp;<em>Star*Line<\/em>&nbsp;47.3<\/li>\n\n\n\n<li>What Dragons Didn&#8217;t Do \u2022 Mary Soon Lee \u2022&nbsp;<em>Uppagus<\/em>&nbsp;6<\/li>\n\n\n\n<li>Wildlife and Rainforests Inside My Father \u2022 Angel Leal \u2022&nbsp;<em>Strange Horizons<\/em>&nbsp;45452<\/li>\n\n\n\n<li>The Witch Recalls Her Craft \u2022 Angel Leal \u2022&nbsp;<em>Uncanny<\/em>&nbsp;60<\/li>\n\n\n\n<li>The Woodcutter \u2022 Anna Cates \u2022&nbsp;<em>Disabled Tales<\/em>&nbsp;45477<\/li>\n\n\n\n<li>You Are a Monster \u2022 Beth Cato \u2022&nbsp;<em>Worlds of Possibility<\/em>&nbsp;45505<\/li>\n\n\n\n<li>You can&#8217;t just sit there crafting hopefully-viral insta posts and expect a dragon to show up (tl; dnr: how to catch a dragon c. 2024) \u2022 Melissa Ridley Elmes \u2022&nbsp;<em>Eccentric Orbits 5<\/em>&nbsp;(Dimensionfold Publishing, October)<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Long Poems<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>9n lives \u2022 Mary A. Turzillo \u2022&nbsp;<em>Eccentric Orbits 5<\/em>&nbsp;(Dimensionfold Publishing, October)<\/li>\n\n\n\n<li>The Baker at the Beggar\u2019s Wedding \u2022 Amelia Gorman \u2022&nbsp;<em>Spectral Realms<\/em>&nbsp;20<\/li>\n\n\n\n<li>Battle of the Bards \u2022 Frank Coffman \u2022&nbsp;<em>Forgotten Ground Regained<\/em>&nbsp;2<\/li>\n\n\n\n<li>Becoming a Veteran \u2022 Herb Kauderer \u2022&nbsp;<em>Distilled from Water<\/em>&nbsp;(Written Image Press, July)<\/li>\n\n\n\n<li>The Blackthorn \u2022 Mary Soon Lee \u2022&nbsp;<em>Dreams &amp; Nightmares<\/em>&nbsp;126<\/li>\n\n\n\n<li>Body Revolt \u2022 Casey Aimer \u2022&nbsp;<em>Strange Horizons<\/em>&nbsp;45502<\/li>\n\n\n\n<li>A Bullock of Special Burden \u2022 Denise Dumars \u2022&nbsp;<em>Animal Gnosis<\/em>&nbsp;(Alien Buddha Press, September)<\/li>\n\n\n\n<li>Change Your Mind \u2022 Gwendolyn Maia Hicks \u2022&nbsp;<em>Small Wonders<\/em>&nbsp;16<\/li>\n\n\n\n<li>Comet, Cow(nota)girl, &amp; A Cry for Cold \u2022 Elizabeth R. McClellan \u2022&nbsp;<em>Eco Punk Literary<\/em>&nbsp;2<\/li>\n\n\n\n<li>Defiance by Cake \u2022 Beth Cato \u2022&nbsp;<em>Worlds of Possibility<\/em>&nbsp;August<\/li>\n\n\n\n<li>Divide By Zero \u2022 Michael Bailey \u2022&nbsp;<em>Written Backwards<\/em>&nbsp;12\/22\/24 Post<\/li>\n\n\n\n<li>Draco Hesperidum \u2022 Eric Brown \u2022&nbsp;<em>Eternal Haunted Summer<\/em>&nbsp;Summer Solstice 2024<\/li>\n\n\n\n<li>Elemental Scales \u2022 Ruth Berman \u2022&nbsp;<em>Star*Line<\/em>&nbsp;47.1<\/li>\n\n\n\n<li>Emily Austenson Bront\u00ebbot \u2022 Adele Gardner \u2022&nbsp;<em>Star*Line<\/em>&nbsp;47.4<\/li>\n\n\n\n<li>The Fabulous Underwater Panther \u2022 Marsheila Rockwell \u2022&nbsp;<em>Blood Quantum &amp; Other Hate Crimes<\/em>&nbsp;(Fallen Tree Press, July)<\/li>\n\n\n\n<li>fear of pipes and shallow water \u2022 William O. Balmer \u2022&nbsp;<em>Reckoning<\/em>&nbsp;8<\/li>\n\n\n\n<li>The Final Trick \u2022 Angela Liu \u2022&nbsp;<em>Strange Horizons<\/em>&nbsp;45530<\/li>\n\n\n\n<li>First Women \u2022 Colleen Anderson \u2022&nbsp;<em>Polar Borealis<\/em>&nbsp;29<\/li>\n\n\n\n<li>Five Nights in the Castle \u2022 Beth Cato \u2022&nbsp;<em>Penumbric<\/em>&nbsp;December 2024 Issue<\/li>\n\n\n\n<li>Giant Robot and His Person \u2022 Akua Lezli Hope \u2022&nbsp;<em>FIYAH<\/em>&nbsp;31<\/li>\n\n\n\n<li>Gretel \u2022 Nico Martinez Nocito \u2022&nbsp;<em>Grimm Retold<\/em>&nbsp;(Speculation Publications, September)<\/li>\n\n\n\n<li>The High Priestess Writes a Love Letter to The Magician \u2022 Ali Trotta \u2022&nbsp;<em>Uncanny<\/em>&nbsp;58<\/li>\n\n\n\n<li>Hot Enough to Collapse \u2022 Eugen Bacon \u2022&nbsp;<em>Galaxy Science Fiction<\/em>&nbsp;263<\/li>\n\n\n\n<li>The House of Mulberry Leaves \u2022 Ryu Ando \u2022&nbsp;<em>Crow &amp; Cross Keys<\/em>&nbsp;45329<\/li>\n\n\n\n<li>I&#8217;ve Seen the Ruby Slippers \u2022 Alan Ira Gordon \u2022&nbsp;<em>Pittsburgh and Other Poems<\/em>&nbsp;(Hiraeth Books, June)<\/li>\n\n\n\n<li>In Graves Wood \u2022 Si\u00e2n Thomas \u2022&nbsp;<em>Long Poem Magazine<\/em>&nbsp;32<\/li>\n\n\n\n<li>The Keep \u2022 Gerri Leen \u2022&nbsp;<em>Eccentric Orbits 5<\/em>&nbsp;(Dimensionfold Publishing, October)<\/li>\n\n\n\n<li>The Large Reckoning \u2022 Linda D. Addison \u2022&nbsp;<em>Bestiary of Blood<\/em>&nbsp;(Crystal Lake Publishing, October)<\/li>\n\n\n\n<li>The Last Voyage: Island Relocation Program \u2022 Steve Wheat \u2022&nbsp;<em>Radon Journal<\/em>&nbsp;8<\/li>\n\n\n\n<li>Life\u2019s Goal \u2022 Herb Kauderer \u2022&nbsp;<em>Distilled from Water<\/em>&nbsp;(Written Image Press, July)<\/li>\n\n\n\n<li>Longfellow&#8217;s Mars \u2022 John C. Mannone \u2022&nbsp;<em>Sublimation<\/em>&nbsp;Volume 1, Issue 2<\/li>\n\n\n\n<li>Max Returns to His Home World \u2022 Miguel O. Mitchell \u2022&nbsp;<em>Surrealia<\/em>&nbsp;(Gnashing Teeth Publishing, August)<\/li>\n\n\n\n<li>Meat, Bone, and Soul \u2022 Beth Cato \u2022&nbsp;<em>Haven Spec<\/em>&nbsp;17<\/li>\n\n\n\n<li>Medicine For The Ailing Mortal, as Told in Seven Stories \u2022 Silvatiicus Riddle \u2022&nbsp;<em>The Fairy Tale Magazine<\/em>&nbsp;45413<\/li>\n\n\n\n<li>Melissa \u2022 Akua Lezli Hope \u2022&nbsp;<em>Bestiary of Blood<\/em>&nbsp;(Crystal Lake Publishing)<\/li>\n\n\n\n<li>The Minotaur in His Maze (after a fragment of Helvius Cinna) \u2022 Eric Brown \u2022&nbsp;<em>Carmina Magazine<\/em>&nbsp;March 2024 Issue<\/li>\n\n\n\n<li>The Museum of Etymology \u2022 F.J. Bergman \u2022&nbsp;<em>Star*Line<\/em>&nbsp;47.3<\/li>\n\n\n\n<li>My Queen&#8217;s Last Gift \u2022 Adele Gardner \u2022&nbsp;<em>Dark Dead Things<\/em>&nbsp;3<\/li>\n\n\n\n<li>One Last Pie in the Face \u2022 Michael H. Payne \u2022&nbsp;<em>Silver Blade<\/em>&nbsp;58<\/li>\n\n\n\n<li>The Place Between \u2022 Herb Kauderer \u2022&nbsp;<em>Distilled from Water<\/em>&nbsp;(Written Image Press, July)<\/li>\n\n\n\n<li>Porphyria\u2019s Lover \u2022 Anna Cates \u2022&nbsp;<em>Abyss &amp; Apex<\/em>&nbsp;92<\/li>\n\n\n\n<li>The Price of Becoming a Villain is to Quell One&#8217;s Kin in a Charade of Pact with The Gods \u2022 Nwuguru Chidiebere Sullivan \u2022&nbsp;<em>The Deadlands<\/em>&nbsp;36<\/li>\n\n\n\n<li>The Reptile Men (Lovecraftiana) \u2022 Jose \u00c1ngel Conde \u2022&nbsp;<em>Psythur 2<\/em>&nbsp;(Ravens Quoth Press, December)<\/li>\n\n\n\n<li>Second Coming \u2022 Nicholas Montemarano \u2022&nbsp;<em>Rattle: Poets Respond<\/em>&nbsp;45298<\/li>\n\n\n\n<li>Second Life \u2022 Christina Sng \u2022&nbsp;<em>Feisty Felines and Other Fantastical Familiars<\/em>&nbsp;(WordFire Press, July)<\/li>\n\n\n\n<li>Shattered Souls at Heaven\u2019s Gate \u2022 Ay\u00f2d\u00e9j\u00ec Israel \u2022&nbsp;<em>The Deadlands<\/em>&nbsp;36<\/li>\n\n\n\n<li>Southern Graves \u2022 Allanah Benae \u2022&nbsp;<em>God&#8217;s Cruel Joke<\/em>&nbsp;4<\/li>\n\n\n\n<li>Spawn Red Meat Arachnid \u2022 Chris Panatier \u2022&nbsp;<em>The Deadlands<\/em>&nbsp;35<\/li>\n\n\n\n<li>Star Stitcher \u2022 A. J. Van Belle \u2022&nbsp;<em>Haven Spec<\/em>&nbsp;13<\/li>\n\n\n\n<li>The Third Seal \u2022 Jamal Hodge \u2022&nbsp;<em>Long Division: Stories of Social Decay, Societal Collapse, and Bad Manners<\/em>&nbsp;(Bad Hand Books, December)<\/li>\n\n\n\n<li>Three Acts of Mercy \u2022 Megan Diedericks \u2022&nbsp;<em>Sublimation<\/em>&nbsp;Volume 1, Issue 3<\/li>\n\n\n\n<li>A Tour of the Blue Palace \u2022 Bree Wernicke \u2022&nbsp;<em>Strange Horizons<\/em>&nbsp;45452<\/li>\n\n\n\n<li>Veiling the Statues \u2022 Raven Jakubowski \u2022&nbsp;<em>Strange Horizons<\/em>&nbsp;45537<\/li>\n\n\n\n<li>Watching \u2022 Vonnie Winslow Crist \u2022&nbsp;<em>Shivers, Scares, and Chills<\/em>&nbsp;(Dark Owl Publishing, October)<\/li>\n\n\n\n<li>We Makes It \u2022 J.H. Siegal \u2022&nbsp;<em>Penumbric<\/em>&nbsp;April 2024 Issue<\/li>\n\n\n\n<li>Weight \u2022 ayana walker \u2022&nbsp;<em>Daddies, Demons, and the Dawn<\/em>&nbsp;(Bookleaf Publishing, February)<\/li>\n\n\n\n<li>What Beautiful Heavens These \u2022 Kaya Skovdatter \u2022&nbsp;<em>Strange Horizons<\/em>&nbsp;45649<\/li>\n\n\n\n<li>What It Tastes Like \u2022 Gerri Leen \u2022&nbsp;<em>Eye to the Telescope<\/em>&nbsp;53<\/li>\n\n\n\n<li>When it Really is Just the Wind, and Not a Furious Vexation \u2022 Kyle Tran Myrhe \u2022&nbsp;<em>Academy of American Poets Poem-a-Day<\/em>&nbsp;45510<\/li>\n\n\n\n<li>XOXO \u2022 Hannu Afere \u2022&nbsp;<em>Sahtu Press<\/em>&nbsp;9\/10\/24 Post<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Nominations per Publication<\/h3>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><tbody><tr><th>Publication<\/th><th>Nominations<\/th><\/tr><tr><td>Abyss &amp; Apex<\/td><td>2<\/td><\/tr><tr><td>Academy of American Poets Poem-a-Day<\/td><td>1<\/td><\/tr><tr><td>Altered Reality Journal<\/td><td>1<\/td><\/tr><tr><td>Animal Gnosis<\/td><td>1<\/td><\/tr><tr><td>Asimov&#8217;s<\/td><td>1<\/td><\/tr><tr><td>Baubles From Bones<\/td><td>3<\/td><\/tr><tr><td>Bestiary of Blood<\/td><td>3<\/td><\/tr><tr><td>BFS Horizons<\/td><td>1<\/td><\/tr><tr><td>Blood Quantum &amp; Other Hate Crimes<\/td><td>2<\/td><\/tr><tr><td>Carmina Magazine<\/td><td>2<\/td><\/tr><tr><td>Chrome Baby<\/td><td>1<\/td><\/tr><tr><td>Contemporary Haibun Online<\/td><td>1<\/td><\/tr><tr><td>Crow &amp; Cross Keys<\/td><td>1<\/td><\/tr><tr><td>Daddies, Demons, and the Dawn<\/td><td>1<\/td><\/tr><tr><td>Dark Dead Things<\/td><td>1<\/td><\/tr><tr><td>The Deadlands<\/td><td>5<\/td><\/tr><tr><td>Disabled Tales<\/td><td>1<\/td><\/tr><tr><td>Discontinue if Death Ensues<\/td><td>2<\/td><\/tr><tr><td>Distilled from Water<\/td><td>3<\/td><\/tr><tr><td>Dragons &amp; Rayguns<\/td><td>1<\/td><\/tr><tr><td>Dreams &amp; Nightmares<\/td><td>3<\/td><\/tr><tr><td>Eccentric Orbits 5<\/td><td>5<\/td><\/tr><tr><td>Eco Punk Literary<\/td><td>1<\/td><\/tr><tr><td>Eternal Haunted Summer<\/td><td>1<\/td><\/tr><tr><td>Eye to the Telescope<\/td><td>6<\/td><\/tr><tr><td>The Fairy Tale Magazine<\/td><td>1<\/td><\/tr><tr><td>Feisty Felines and Other Fantastical Familiars<\/td><td>1<\/td><\/tr><tr><td>FIYAH<\/td><td>2<\/td><\/tr><tr><td>Folk Horror Short Stories<\/td><td>1<\/td><\/tr><tr><td>Forgotten Ground Regained<\/td><td>2<\/td><\/tr><tr><td>A Frolic of Fairies<\/td><td>1<\/td><\/tr><tr><td>Galaxy Science Fiction<\/td><td>1<\/td><\/tr><tr><td>Ghost Sojourn<\/td><td>1<\/td><\/tr><tr><td>Giant Robot Poems<\/td><td>1<\/td><\/tr><tr><td>God&#8217;s Cruel Joke<\/td><td>1<\/td><\/tr><tr><td>Grimm Retold<\/td><td>2<\/td><\/tr><tr><td>Haven Spec<\/td><td>3<\/td><\/tr><tr><td>Heartlines Spec<\/td><td>1<\/td><\/tr><tr><td>The Inca Weavers Tale<\/td><td>1<\/td><\/tr><tr><td>Journ-E<\/td><td>1<\/td><\/tr><tr><td>Lit Magazine<\/td><td>1<\/td><\/tr><tr><td>Long Division: Stories of Social Decay, Societal Collapse, and Bad Manners<\/td><td>1<\/td><\/tr><tr><td>Long Poem Magazine<\/td><td>1<\/td><\/tr><tr><td>The Magazine of Fantasy and Science Fiction<\/td><td>1<\/td><\/tr><tr><td>Mexicans on the Moon: Speculative Poetry from a Possible Future<\/td><td>1<\/td><\/tr><tr><td>Mother Knows Best<\/td><td>1<\/td><\/tr><tr><td>NewMyths<\/td><td>1<\/td><\/tr><tr><td>The New Verse News<\/td><td>1<\/td><\/tr><tr><td>The Orange &amp; Bee<\/td><td>1<\/td><\/tr><tr><td>Penumbric<\/td><td>2<\/td><\/tr><tr><td>The Pink Hydra<\/td><td>1<\/td><\/tr><tr><td>Pittsburgh and Other Poems<\/td><td>1<\/td><\/tr><tr><td>Poetry News<\/td><td>1<\/td><\/tr><tr><td>Poetry Society Stanza Poetry Competition<\/td><td>1<\/td><\/tr><tr><td>Polar Borealis<\/td><td>1<\/td><\/tr><tr><td>Psythur 2<\/td><td>2<\/td><\/tr><tr><td>Radon Journal<\/td><td>4<\/td><\/tr><tr><td>Rattle: Poets Respond<\/td><td>1<\/td><\/tr><tr><td>Reckoning<\/td><td>1<\/td><\/tr><tr><td>Sahtu Press<\/td><td>1<\/td><\/tr><tr><td>Samjoko<\/td><td>1<\/td><\/tr><tr><td>SFPA Halloween Reading<\/td><td>1<\/td><\/tr><tr><td>SFPA Valentines Day Reading<\/td><td>1<\/td><\/tr><tr><td>Shivers, Scares, and Chills<\/td><td>2<\/td><\/tr><tr><td>Silver Blade<\/td><td>1<\/td><\/tr><tr><td>Slay and Slay Again!<\/td><td>1<\/td><\/tr><tr><td>Small Wonders<\/td><td>4<\/td><\/tr><tr><td>The Space Cadet Science Fiction Review<\/td><td>1<\/td><\/tr><tr><td>Space &amp; Time Magazine<\/td><td>2<\/td><\/tr><tr><td>Spectral Realms<\/td><td>2<\/td><\/tr><tr><td>The Sprawl Mag<\/td><td>1<\/td><\/tr><tr><td>Star*Line<\/td><td>10<\/td><\/tr><tr><td>Strange Horizons<\/td><td>9<\/td><\/tr><tr><td>Sublimation<\/td><td>3<\/td><\/tr><tr><td>Surrealia<\/td><td>1<\/td><\/tr><tr><td>Uncanny<\/td><td>3<\/td><\/tr><tr><td>Uppagus<\/td><td>1<\/td><\/tr><tr><td>Utopia Science Fiction<\/td><td>1<\/td><\/tr><tr><td>Wheeling, Yet Not Free<\/td><td>1<\/td><\/tr><tr><td>Worlds of Possibility<\/td><td>2<\/td><\/tr><tr><td>Written Backwards<\/td><td>1<\/td><\/tr><\/tbody><\/table><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Anthology Information Rhysling Chair:Pixie Bruner Book Design: F.J. Bergmann Cover Image:&nbsp;Last Green Hill of Earth (detail) by Lisa Vasquez Publisher: Science Fiction Poetry Association Menu All Award Winners Short Poem Category First Place: Lost Ark \u2022 F. J. Bergmann \u2022&nbsp;Space &amp; Time Magazine&nbsp;146 Second Place: A Black Hole is a Melting Pot That Will Make [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":95,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"pagelayer_contact_templates":[],"_pagelayer_content":"","footnotes":""},"class_list":["post-8896","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sfpoetry.org\/wp\/wp-json\/wp\/v2\/pages\/8896","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sfpoetry.org\/wp\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sfpoetry.org\/wp\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sfpoetry.org\/wp\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sfpoetry.org\/wp\/wp-json\/wp\/v2\/comments?post=8896"}],"version-history":[{"count":6,"href":"https:\/\/sfpoetry.org\/wp\/wp-json\/wp\/v2\/pages\/8896\/revisions"}],"predecessor-version":[{"id":10941,"href":"https:\/\/sfpoetry.org\/wp\/wp-json\/wp\/v2\/pages\/8896\/revisions\/10941"}],"up":[{"embeddable":true,"href":"https:\/\/sfpoetry.org\/wp\/wp-json\/wp\/v2\/pages\/95"}],"wp:attachment":[{"href":"https:\/\/sfpoetry.org\/wp\/wp-json\/wp\/v2\/media?parent=8896"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}