{"id":1183,"date":"2025-01-22T19:21:10","date_gmt":"2025-01-22T19:21:10","guid":{"rendered":"https:\/\/sfpoetry.org\/wp\/?page_id=1183"},"modified":"2025-08-12T20:34:48","modified_gmt":"2025-08-12T20:34:48","slug":"2024-rhysling-anthology-and-award","status":"publish","type":"page","link":"https:\/\/sfpoetry.org\/wp\/rhysling-award\/2024-rhysling-anthology-and-award\/","title":{"rendered":"2024 Rhysling Anthology and Award"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Anthology Information<\/h2>\n\n\n\n<div class=\"wp-block-media-text has-media-on-the-right is-stacked-on-mobile\" style=\"grid-template-columns:auto 30%\"><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\"><strong>Editors and Rhysling Chair<\/strong>s:<br>David C. Kopaska-Merkel &amp; Brian U. Garrison<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Book Design<\/strong>: F.J. Bergmann<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Cover Image<\/strong>:&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Publisher<\/strong>: Science Fiction Poetry Association<\/p>\n<\/div><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"663\" height=\"1024\" src=\"https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2024\/11\/2024-rhysling-663x1024.jpg\" alt=\"\" class=\"wp-image-7787 size-full\" srcset=\"https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2024\/11\/2024-rhysling-663x1024.jpg 663w, https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2024\/11\/2024-rhysling-194x300.jpg 194w, https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2024\/11\/2024-rhysling-768x1186.jpg 768w, https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2024\/11\/2024-rhysling.jpg 971w\" sizes=\"auto, (max-width: 663px) 100vw, 663px\" \/><\/figure><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h2 class=\"wp-block-heading\">Menu<\/h2>\n\n\n<nav class=\"has-text-color has-vivid-cyan-blue-color is-responsive is-vertical has-text-decoration-underline wp-block-navigation is-layout-flex wp-container-core-navigation-is-layout-4fc3f8e1 wp-block-navigation-is-layout-flex\" aria-label=\"Rhysling Submenu\" \n\t\t data-wp-interactive=\"core\/navigation\" data-wp-context='{\"overlayOpenedBy\":{\"click\":false,\"hover\":false,\"focus\":false},\"type\":\"overlay\",\"roleAttribute\":\"\",\"ariaLabel\":\"Menu\"}'><button aria-haspopup=\"dialog\" aria-label=\"Open menu\" class=\"wp-block-navigation__responsive-container-open\" \n\t\t\t\tdata-wp-on--click=\"actions.openMenuOnClick\"\n\t\t\t\tdata-wp-on--keydown=\"actions.handleMenuKeydown\"\n\t\t\t><svg width=\"24\" height=\"24\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 24 24\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M4 7.5h16v1.5H4z\"><\/path><path d=\"M4 15h16v1.5H4z\"><\/path><\/svg><\/button>\n\t\t\t\t<div class=\"wp-block-navigation__responsive-container\"  id=\"modal-1\" \n\t\t\t\tdata-wp-class--has-modal-open=\"state.isMenuOpen\"\n\t\t\t\tdata-wp-class--is-menu-open=\"state.isMenuOpen\"\n\t\t\t\tdata-wp-watch=\"callbacks.initMenu\"\n\t\t\t\tdata-wp-on--keydown=\"actions.handleMenuKeydown\"\n\t\t\t\tdata-wp-on--focusout=\"actions.handleMenuFocusout\"\n\t\t\t\ttabindex=\"-1\"\n\t\t\t>\n\t\t\t\t\t<div class=\"wp-block-navigation__responsive-close\" tabindex=\"-1\">\n\t\t\t\t\t\t<div class=\"wp-block-navigation__responsive-dialog\" \n\t\t\t\tdata-wp-bind--aria-modal=\"state.ariaModal\"\n\t\t\t\tdata-wp-bind--aria-label=\"state.ariaLabel\"\n\t\t\t\tdata-wp-bind--role=\"state.roleAttribute\"\n\t\t\t>\n\t\t\t\t\t\t\t<button aria-label=\"Close menu\" class=\"wp-block-navigation__responsive-container-close\" \n\t\t\t\tdata-wp-on--click=\"actions.closeMenuOnClick\"\n\t\t\t><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 24 24\" width=\"24\" height=\"24\" aria-hidden=\"true\" focusable=\"false\"><path d=\"m13.06 12 6.47-6.47-1.06-1.06L12 10.94 5.53 4.47 4.47 5.53 10.94 12l-6.47 6.47 1.06 1.06L12 13.06l6.47 6.47 1.06-1.06L13.06 12Z\"><\/path><\/svg><\/button>\n\t\t\t\t\t\t\t<div class=\"wp-block-navigation__responsive-container-content\" \n\t\t\t\tdata-wp-watch=\"callbacks.focusFirstElement\"\n\t\t\t id=\"modal-1-content\">\n\t\t\t\t\t\t\t\t<ul class=\"wp-block-navigation__container has-text-color has-vivid-cyan-blue-color is-responsive is-vertical has-text-decoration-underline wp-block-navigation\"><li class=\"wp-block-navigation-item wp-block-navigation-link\"><a class=\"wp-block-navigation-item__content\"  href=\"https:\/\/sfpoetry.org\/wp\/rhysling-award\/\"><span class=\"wp-block-navigation-item__label\">About the Rhysling Award<\/span><\/a><\/li><li class=\"wp-block-navigation-item wp-block-navigation-link\"><a class=\"wp-block-navigation-item__content\"  href=\"#current\"><span class=\"wp-block-navigation-item__label\">Current Year&#8217;s Judge<\/span><\/a><\/li><li class=\"wp-block-navigation-item wp-block-navigation-link\"><a class=\"wp-block-navigation-item__content\"  href=\"#antho\"><span class=\"wp-block-navigation-item__label\">Most Recent Anthology<\/span><\/a><\/li><li class=\"wp-block-navigation-item wp-block-navigation-link\"><a class=\"wp-block-navigation-item__content\"  href=\"#support\"><span class=\"wp-block-navigation-item__label\">Support the Rhysling Anthology<\/span><\/a><\/li><li class=\"wp-block-navigation-item wp-block-navigation-link\"><a class=\"wp-block-navigation-item__content\"  href=\"https:\/\/sfpoetry.org\/wp\/rhysling-award\/rhysling-award-archive\/\"><span class=\"wp-block-navigation-item__label\">Rhysling Award Archive<\/span><\/a><\/li><li class=\"wp-block-navigation-item wp-block-navigation-link\"><a class=\"wp-block-navigation-item__content\"  href=\"https:\/\/sfpoetry.org\/wp\/rhysling-award\/#antho\"><span class=\"wp-block-navigation-item__label\">Rhysling Award Anthologies<\/span><\/a><\/li><\/ul>\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div><\/nav><\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">All Award Winners<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h3 class=\"wp-block-heading\">Short Poem Category<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>First Place:<\/strong> \u201cNo One Now Remembers\u201d \u2022 Geoffrey A. Landis \u2022&nbsp;<em>Fantasy and Science Fiction<\/em>&nbsp;November\/December<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Second Place:<\/strong> \u201cLanguage as a Form of Breath\u201d \u2022 Angel Leal \u2022&nbsp;<em>Apparition Lit<\/em>&nbsp;10\/18<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Third Place:<\/strong> \u201cThe Day We All Died, A Little\u201d \u2022 Lisa Timpf \u2022&nbsp;<em>Raond Journal<\/em>&nbsp;5<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Honorable Mention:<\/strong> \u201cLet Us Dream\u201d \u2022 Myna Chang \u2022&nbsp;<em>Small Wonders<\/em>&nbsp;3<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Honorable Mention: <\/strong>\u201cAs Does the Crow\u201d \u2022 Beth Cato \u2022&nbsp;<em>Uncanny<\/em>&nbsp;53<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Honorable Mention: <\/strong>\u201cMass-Market Affair\u201d \u2022 Casey Aimer \u2022&nbsp;<em>Star*Line<\/em>&nbsp;46.4<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h3 class=\"wp-block-heading\">Long Poem Category<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>First Place<\/strong>: \u201cLittle Brown Changeling\u201d \u2022 Lauren Scharhag \u2022&nbsp;<em>Aphelion<\/em>&nbsp;283<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Second Place:<\/strong> \u201cThe Witch Makes Her To-Do List\u201d \u2022 Theodora Goss \u2022&nbsp;<em>Uncanny<\/em>&nbsp;50<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Third Place:<\/strong> \u201cAn Interrogation About A Monster During Sleep Paralysis\u201d \u2022 Angela Liu \u2022&nbsp;<em>Strange Horizons,<\/em>&nbsp;11\/6<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Honorable Mention: <\/strong>\u201cPilot\u201d \u2022 Akua Lezli Hope \u2022&nbsp;<em>Black Joy Unbound<\/em>, eds. Stephanie Andrea Allen &amp; Lauren Cherelle (BLF Press)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Honorable Mention: <\/strong>\u201cCradling Fish\u201d \u2022 Laura Ma \u2022&nbsp;<em>Strange Horizons<\/em>, 5\/29<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Honorable Mention: <\/strong>\u201cArchivist of a Lost World\u201d \u2022 Gerri Leen \u2022&nbsp;<em>Eccentric Orbits<\/em>&nbsp;4<\/p>\n<\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Editor and Juror Biographies<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Editors<\/h3>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:25% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"200\" height=\"200\" src=\"https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2024\/10\/17kopaska-merkel.jpg\" alt=\"a man with a thick jacket, glasses, grey hair and grey facial hair smiles at the camera\" class=\"wp-image-688 size-full\" srcset=\"https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2024\/10\/17kopaska-merkel.jpg 200w, https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2024\/10\/17kopaska-merkel-150x150.jpg 150w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\"><strong>David C. Kopaska-Merkel<\/strong>&nbsp;won the 2006 Rhysling award (long poem, written with Kendall Evans), and edits&nbsp;<em>Dreams &amp; Nightmares<\/em>&nbsp;magazine (since 1986). His poems have been published in&nbsp;<em>Asimov\u2019s<\/em>,&nbsp;<em>Strange Horizons<\/em>, and more than 200 other venues.&nbsp;<em><strong>Some Disassembly Required<\/strong><\/em>, a collection of dark poetry, was published in 2022. @DavidKMresists on CS. Blog:<br><a href=\"https:\/\/dreamsandnightmaresmagazine.blogspot.com\/\">https:\/\/dreamsandnightmaresmagazine.blogspot.com\/<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:25% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"200\" height=\"200\" src=\"https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2024\/10\/GarrisonBrian.jpg\" alt=\"\" class=\"wp-image-580 size-full\" srcset=\"https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2024\/10\/GarrisonBrian.jpg 200w, https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2024\/10\/GarrisonBrian-150x150.jpg 150w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\"><strong>Brian U. Garrison<\/strong>&nbsp;has been a member of the SFPA since 2012.&nbsp;His poetry has waited at a bus stop in Montpelier, Vermont, popped out of a vending machine in Boston, Massachusetts, traveled to Tuscaloosa, Alabama (among other cities) aboard&nbsp;<em>Asimov&#8217;s Science Fiction,<\/em>&nbsp;and orbited Mars aboard NASA&#8217;s MAVEN mission. Fifty of his poems are squeezed into his chapbook&nbsp;<em>New Yesterdays, New Tomorrows<\/em>. Look for him in Portland, Oregon where you might catch him eating vegan donuts<\/p>\n<\/div><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Short Poem Category Jurors<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>M.C. Childs<\/strong>\u2019 poetry has appeared in many magazines. \u201cTin-Head Soliloquy\u201d (2018) and \u201cOphir, Coloardo\u201d (2019) each were awarded second place in the SFPA poetry competition. Prof. Childs\u2019 award-winning urban design books include Foresight and Design, The Zeon Files: Art and Design of Historic Route 66 Signs, Urban Composition, and Squares: A Public Space Design Guide.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Shy and nocturnal, <strong>Jennifer Crow <\/strong>has never been photographed in the wild, but it\u2019s rumored that she lives near a waterfall in western New York. Her work has appeared in a number of print and electronic venues, including Uncanny Magazine, Asimov\u2019s Science Fiction, The Wondrous Real and Analog Science Fiction. Curious readers can catch up with her on Bluesky @writerjencrow.bsky.social.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Rebecca Olson<\/strong> worked in the space program for over a quarter century and later moved to the Pacific Northwest on a whim. She has been reading and writing speculative poetry and fiction since before her first publication in her junior high school literary magazine. More recently her poetry has appeared in Eye to the Telescope, Star*Line, and other short form publications.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">An Active Member of the HWA, <strong>E.F. Schraeder<\/strong> holds an advanced degree in library science, and ph.d. in philosophy. The author of The Price of a Small Hot Fire (Raw Dog Screaming Press, 2023), the novella What Happened Was Impossible (Ghoulish Books, 2023), the Imadjinn Award finalist Liar: Memoir of a Haunting (Omnium Gatherum, 2021), and other works, Schraeder\u2019s writing has also appeared in a number of journals and anthologies.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Long Category Jurors<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Eliza Claudia FILIMON<\/strong> is a Ph.D. Associate Professor at the English Department of the West University in Timi\u015foara, Romania where she teaches Film Studies, Audiovisual Translation and Literary Translation. Her academic training informs and supports her activities as a film juror, a screenplay assessor in international film festivals, a creative writing juror, as well as a literary and audiovisual translator. She is a member of the European Film Academy, a Board member of the PETRA-E European Association, a translation editor of international literary magazines, and the organizer of Shades of Meaning translation contest. She has translated award-winning prose and poetry from English, Dutch and Spanish into Romanian, and she supervises international translation projects in the field of audiovisual and literary translation.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Robert Frazier<\/strong> lives on Nantucket Island working as Artistic Director for Artists Association of Nantucket, with a 45-year career as an oil painter. He is a founding member of the SFPA and served as Editor for Star*Line issues 4.1 through 14.1 as well as some of the early Rhysling Anthologies. He edited the 1984 speculative anthology Burning With a Vision 1984 and the 2020 art history book Born From A Hurricane. He has nine poetry collections, won three Rhysling Awards (2 short, 1 long), and was nominated for the Nebula for his short fiction. In 2005 Robert was named SFPA Grand Master. His interests include science poetry, fine art printmaking, beachcombing, art history, birding, geology, and en plein air painting.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Maxwell I. Gold<\/strong> is a Jewish-American cosmic horror poet and editor, with an extensive body of work comprising over 300 poems since 2017. His writings have earned a place alongside many literary luminaries in the speculative fiction genre. His work has appeared in numerous literary journals, magazines, and anthologies. Maxwell\u2019s work has been recognized with multiple nominations including the Rhysling Award, the Pushcart Prize, and the Bram Stoker Awards. Maxwell also served as the editor for 2023 Rhysling Anthology. Find him and his work at www.thewellsoftheweird.com.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Jordan Hirsch <\/strong>writes speculative fiction and poetry while occupying the ancestral and current homelands of the Dakota people, Mni Sota Makoce. Her debut chapbook, Both Worlds, is out with Bottlecap Press, and more of her work is available with Strange Horizons, Utopia Science Fiction Magazine, and other venues. Having chaired the Elgin Awards twice, she is currently serving as SFPA treasurer. Find more on her website: jordanrhirsch.wordpress.com.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Diane Severson Mori<\/strong> is a professional classical singer and voice\/singing teacher. Originally from Madison, Wisconsin, she has lived in several European countries and is now in the UK. She became involved with SpecPo since 2011 when she started podcasting poetry for the Podcast Fiction Magazine, StarShipSofa. She volunteers for the SFPA wearing many different hats, but most importantly as Membership Chair. She has edited, reviewed, and recorded speculative poetry in several venues including Eye to the Telescope, Amazing Stories, and Star*Line. She has even published a poem or two and dares you to find them.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Winner Biographies<\/h2>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:25% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2024\/10\/LandisGeoffrey-768x1024.jpg\" alt=\"\" class=\"wp-image-597 size-full\" srcset=\"https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2024\/10\/LandisGeoffrey-768x1024.jpg 768w, https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2024\/10\/LandisGeoffrey-225x300.jpg 225w, https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2024\/10\/LandisGeoffrey.jpg 960w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\"><strong>Geoffrey A. Landis<\/strong> is a physicist, science fiction writer, and poet. He has won the Hugo, Nebula, and Heinlein award for fiction, and the Rhysling and Dwarf Stars awards for poetry. When he is not writing, he is a scientist at the NASA John Glenn Research Center, developing new technologies for spaceflight<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:25% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2024\/10\/ScharhagLauren-768x1024.jpg\" alt=\"\" class=\"wp-image-616 size-full\" srcset=\"https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2024\/10\/ScharhagLauren-768x1024.jpg 768w, https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2024\/10\/ScharhagLauren-225x300.jpg 225w, https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2024\/10\/ScharhagLauren-1152x1536.jpg 1152w, https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2024\/10\/ScharhagLauren.jpg 1440w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\"><strong>Lauren Scharhag<\/strong> (she\/her) is an award-winning author of fiction and poetry, and a senior editor at Gleam. Her latest releases include&nbsp;<em>Screaming Intensifies<\/em>&nbsp;(Whiskey City Press), the&nbsp;<em>In the King\u2019s Power<\/em>&nbsp;series (self-published), and&nbsp;<em>Ain\u2019t These Sorrows Sweet<\/em>&nbsp;(Roadside Press). She lives in Kansas City, MO.&nbsp;<a href=\"https:\/\/linktr.ee\/laurenscharhag\">https:\/\/linktr.ee\/laurenscharhag<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:25% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2024\/10\/star-clusters-globular-cluster-star-46b8af-1024.jpg\" alt=\"\" class=\"wp-image-394 size-full\" srcset=\"https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2024\/10\/star-clusters-globular-cluster-star-46b8af-1024.jpg 1024w, https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2024\/10\/star-clusters-globular-cluster-star-46b8af-1024-300x300.jpg 300w, https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2024\/10\/star-clusters-globular-cluster-star-46b8af-1024-150x150.jpg 150w, https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2024\/10\/star-clusters-globular-cluster-star-46b8af-1024-768x768.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\"><strong>Angel Leal <\/strong>(no bio or photo provided)<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:25% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"200\" height=\"200\" src=\"https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2024\/10\/gosstheodora.jpg\" alt=\"\" class=\"wp-image-753 size-full\" srcset=\"https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2024\/10\/gosstheodora.jpg 200w, https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2024\/10\/gosstheodora-150x150.jpg 150w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\"><strong>Theodora Goss<\/strong><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:25% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"983\" src=\"https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2024\/10\/TimpfLisa24-1024x983.jpg\" alt=\"\" class=\"wp-image-625 size-full\" srcset=\"https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2024\/10\/TimpfLisa24-1024x983.jpg 1024w, https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2024\/10\/TimpfLisa24-300x288.jpg 300w, https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2024\/10\/TimpfLisa24-768x737.jpg 768w, https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2024\/10\/TimpfLisa24-1536x1474.jpg 1536w, https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2024\/10\/TimpfLisa24.jpg 1741w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\"><strong>Lisa Timpf<\/strong>&nbsp;is a retired HR and communications professional who lives in Simcoe, Ontario. Her speculative poetry has appeared in&nbsp;<em>New Myths, Star*Line, Triangulation: Seven-Day Weekend, Polar Borealis<\/em>, and other venues. Her collection of speculative haibun poetry,&nbsp;<em>In Days to Come<\/em>, is available from Hiraeth Publishing. You can find out more about Lisa\u2019s writing projects at&nbsp;<a href=\"http:\/\/lisatimpf.blogspot.com\/\">http:\/\/lisatimpf.blogspot.com\/<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:25% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"400\" src=\"https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2024\/10\/LiuAngela.jpg\" alt=\"\" class=\"wp-image-599 size-full\" srcset=\"https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2024\/10\/LiuAngela.jpg 400w, https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2024\/10\/LiuAngela-300x300.jpg 300w, https:\/\/sfpoetry.org\/wp\/wp-content\/uploads\/2024\/10\/LiuAngela-150x150.jpg 150w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\"><strong>Angela Liu<\/strong> is a Nebula-, Ignyte-, and Rhysling-nominated writer\/poet from NYC who writes about intergenerational trauma and weird things. She formerly researched mixed reality storytelling at Keio University in Japan. Her stories and poetry are published in&nbsp;<em>Strange Horizons, Clarkesworld, Uncanny, The Dark, Interzone Digital, Small Wonders, Lightspeed, kh\u014dr\u00e9\u014d<\/em>, and&nbsp;<em>Logic(s)<\/em>, among others. Check out more of her work at&nbsp;<a href=\"https:\/\/sfpoetry.com\/ra\/awards\/liu-angela.com\">liu-angela.com<\/a>&nbsp;or find her on Twitter\/Instagram @liu_angela and on Bluesky @angelaliu.bsky.social<\/p>\n<\/div><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Finalist Poems<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">104 members voted on the 50 short poems and 25 long poems below, which were selected by jurors from the list of all nominated poems.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Short Poems<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Attn: Prime Real Estate Opportunity! \u2022 Emily Ruth Verona \u2022&nbsp;<em>Under Her Eye: A Women in Horror Poetry Collection<\/em>&nbsp;Volume II<\/li>\n\n\n\n<li>The Beauty of Monsters \u2022 Angela Liu \u2022&nbsp;<em>Small Wonders<\/em>&nbsp;1<\/li>\n\n\n\n<li>The Blight of Kezia \u2022 Patricia Gomes \u2022&nbsp;<em>HWA Poetry Showcase<\/em>&nbsp;X<\/li>\n\n\n\n<li>The Day We All Died, A Little \u2022 Lisa Timpf \u2022&nbsp;<em>Radon<\/em>&nbsp;5<\/li>\n\n\n\n<li>Deadweight \u2022 Jack Cooper \u2022&nbsp;<em>Propel<\/em>&nbsp;7<\/li>\n\n\n\n<li>Dear Mars \u2022 Susan L. Lin \u2022&nbsp;<em>The Sprawl Mag<\/em>&nbsp;1.2<\/li>\n\n\n\n<li>Dispatches from the Dragon&#8217;s Den \u2022 Mary Soon Lee \u2022&nbsp;<em>Star*Line<\/em>&nbsp;46.2<\/li>\n\n\n\n<li>Dr. Jekyll \u2022 West Ambrose \u2022&nbsp;<em>Thin Veil Press<\/em>&nbsp;December<\/li>\n\n\n\n<li>First Eclipse: Chang-O and the Jade Hare \u2022 Emily Jiang \u2022&nbsp;<em>Uncanny<\/em>&nbsp;53<\/li>\n\n\n\n<li>Five of Cups Considers Forgiveness \u2022 Ali Trotta \u2022&nbsp;<em>The Deadlands<\/em>&nbsp;31<\/li>\n\n\n\n<li>Gods of the Garden \u2022 Steven Withrow \u2022&nbsp;<em>Spectral Realms<\/em>&nbsp;19<\/li>\n\n\n\n<li>The Goth Girls&#8217; Gun Gang \u2022 Marisca Pichette \u2022&nbsp;<em>The Dread Machine<\/em>&nbsp;3.2<\/li>\n\n\n\n<li>Guiding Star \u2022 Tim Jones \u2022&nbsp;<em>Remains to be Told: Dark Tales of Aotearoa<\/em>, ed. Lee Murray (Clan Destine Press)<\/li>\n\n\n\n<li>Hallucinations Gifted to Me by Heatstroke \u2022 Morgan L. Ventura \u2022&nbsp;<em>Banshee<\/em>&nbsp;15<\/li>\n\n\n\n<li>hemiplegic migraine as willing human sacrifice \u2022 Ennis Rook Bashe \u2022&nbsp;<em>Eternal Haunted Summer<\/em>&nbsp;Winter Solstice<\/li>\n\n\n\n<li>Hi! I am your Cortical Update! \u2022 Mahaila Smith \u2022&nbsp;<em>Star*Line<\/em>&nbsp;46.3<\/li>\n\n\n\n<li>How to Make the Animal Perfect? \u2022 Linda D. Addison \u2022&nbsp;<em>Weird Tales<\/em>&nbsp;100<\/li>\n\n\n\n<li>I Dreamt They Cast a Trans Girl to Give Birth to the Demon \u2022 Jennessa Hester \u2022&nbsp;<em>HAD<\/em>&nbsp;October<\/li>\n\n\n\n<li>Invasive \u2022 Marcie Lynn Tentchoff \u2022&nbsp;<em>Polar Starlight<\/em>&nbsp;9<\/li>\n\n\n\n<li>kan-da-ka \u2022 Nadaa Hussein \u2022&nbsp;<em>Apparition Lit<\/em>&nbsp;23<\/li>\n\n\n\n<li>Language as a Form of Breath \u2022 Angel Leal \u2022&nbsp;<em>Apparition Lit<\/em>&nbsp;October<\/li>\n\n\n\n<li>The Lantern of September \u2022 Scott Couturier \u2022&nbsp;<em>Spectral Realms<\/em>&nbsp;19<\/li>\n\n\n\n<li>Let Us Dream \u2022 Myna Chang \u2022&nbsp;<em>Small Wonders<\/em>&nbsp;3<\/li>\n\n\n\n<li>The Magician&#8217;s Foundling \u2022 Angel Leal \u2022&nbsp;<em>Heartlines Spec<\/em>&nbsp;2<\/li>\n\n\n\n<li>The Man with the Stone Flute \u2022 Joshua St. Claire \u2022&nbsp;<em>Abyss &amp; Apex<\/em>&nbsp;87<\/li>\n\n\n\n<li>Mass-Market Affair \u2022 Casey Aimer \u2022&nbsp;<em>Star*Line<\/em>&nbsp;46.4<\/li>\n\n\n\n<li>Mom&#8217;s Surprise \u2022 Francis W. Alexander \u2022&nbsp;<em>Tales from the Moonlit Path<\/em>&nbsp;June<\/li>\n\n\n\n<li>A Murder of Crows \u2022 Alicia Hilton \u2022&nbsp;<em>Ice Queen<\/em>&nbsp;11<\/li>\n\n\n\n<li>No One Now Remembers \u2022 Geoffrey Landis \u2022&nbsp;<em>Fantasy and Science Fiction<\/em>&nbsp;Nov.\/Dec.<\/li>\n\n\n\n<li>orion conquers the sky \u2022 Maria Zoccula \u2022&nbsp;<em>On Spec<\/em>&nbsp;33.2<\/li>\n\n\n\n<li>Pines in the Wind \u2022 Karen Greenbaum-Maya \u2022&nbsp;<em>The Beautiful Leaves<\/em>&nbsp;(Bamboo Dart Press)<\/li>\n\n\n\n<li>The Poet Responds to an Invitation from the AI on the Moon \u2022 T.D. Walker \u2022&nbsp;<em>Radon Journal<\/em>&nbsp;5<\/li>\n\n\n\n<li>A Prayer for the Surviving \u2022 Marisca Pichette \u2022&nbsp;<em>Haven Speculative<\/em>&nbsp;9<\/li>\n\n\n\n<li>Pre-Nuptial \u2022 F. J. Bergmann \u2022&nbsp;<em>The Vampiricon<\/em>&nbsp;(Mind&#8217;s Eye Publications)<\/li>\n\n\n\n<li>The Problem of Pain \u2022 Anna Cates \u2022&nbsp;<em>Eye on the Telescope<\/em>&nbsp;49<\/li>\n\n\n\n<li>The Return of the Sauceress \u2022 F. J. Bergmann \u2022&nbsp;<em>The Flying Saucer Poetry Review<\/em>&nbsp;February<\/li>\n\n\n\n<li>Sea Change \u2022 David C. Kopaska-Merkel and Ann K. Schwader \u2022&nbsp;<em>Scifaikuest<\/em>&nbsp;May<\/li>\n\n\n\n<li>Seed of Power \u2022 Linda D. Addison \u2022&nbsp;<em>The Book of Witches<\/em>&nbsp;ed. Jonathan Strahan (Harper Collins)<\/li>\n\n\n\n<li>Sleeping Beauties \u2022 Carina Bissett \u2022&nbsp;<em>HWA Poetry Showcase<\/em>&nbsp;X<\/li>\n\n\n\n<li>Solar Punks \u2022 J. D. Harlock \u2022&nbsp;<em>The Dread Machine<\/em>&nbsp;3.1<\/li>\n\n\n\n<li>Song of the Last Hour \u2022 Samuel A. Betiku \u2022&nbsp;<em>The Deadlands<\/em>&nbsp;22<\/li>\n\n\n\n<li>Sphinx \u2022 Mary Soon Lee \u2022&nbsp;<em>Asimov&#8217;s<\/em>&nbsp;September\/October<\/li>\n\n\n\n<li>Storm Watchers (a drabbun) \u2022 Terrie Leigh Relf \u2022&nbsp;<em>Space &amp; Time<\/em><\/li>\n\n\n\n<li>Sunflower Astronaut \u2022 Charlie Espinosa \u2022&nbsp;<em>Strange Horizons<\/em>&nbsp;July<\/li>\n\n\n\n<li>Three Hearts as One \u2022 G. O. Clark \u2022&nbsp;<em>Asimov&#8217;s<\/em>&nbsp;May\/June<\/li>\n\n\n\n<li>Troy \u2022 Carolyn Clink \u2022&nbsp;<em>Polar Starlight<\/em>&nbsp;12<\/li>\n\n\n\n<li>Twenty-Fifth Wedding Anniversary \u2022 John Grey \u2022&nbsp;<em>Medusa&#8217;s Kitchen<\/em>&nbsp;September<\/li>\n\n\n\n<li>Under World \u2022 Jacqueline West \u2022&nbsp;<em>Carmina Magazine<\/em>&nbsp;September<\/li>\n\n\n\n<li>Walking in the Starry World \u2022 John Philip Johnson \u2022&nbsp;<em>Orion&#8217;s Belt<\/em>&nbsp;May<\/li>\n\n\n\n<li>Whispers in Ink \u2022 Angela Yuriko Smith \u2022&nbsp;<em>Whispers from Beyond<\/em>&nbsp;(Crystal Lake Publishing)<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Long Poems<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Archivist of a Lost World \u2022 Gerri Leen \u2022&nbsp;<em>Eccentric Orbits<\/em>&nbsp;4<\/li>\n\n\n\n<li>As the witch burns \u2022 Marisca Pichette \u2022&nbsp;<em>Fantasy<\/em>&nbsp;87<\/li>\n\n\n\n<li>Brigid the Poet \u2022 Adele Gardner \u2022&nbsp;<em>Eternal Haunted Summer<\/em>&nbsp;Summer Solstice<\/li>\n\n\n\n<li>Coding a Demi-griot (An Olivian Measure) \u2022 Armoni \u201cMonihymn\u201d Boone \u2022&nbsp;<em>Fiyah<\/em>&nbsp;26<\/li>\n\n\n\n<li>Cradling Fish \u2022 Laura Ma \u2022&nbsp;<em>Strange Horizons<\/em>&nbsp;May<\/li>\n\n\n\n<li>Dream Visions \u2022 Melissa Ridley Elmes \u2022&nbsp;<em>Eccentric Orbits<\/em>&nbsp;4<\/li>\n\n\n\n<li>Eight Dwarfs on Planet X \u2022 Avra Margariti \u2022&nbsp;<em>Radon Journal<\/em>&nbsp;3<\/li>\n\n\n\n<li>The Giants of Kandahar \u2022 Anna Cates \u2022&nbsp;<em>Abyss &amp; Apex<\/em>&nbsp;88<\/li>\n\n\n\n<li>How to Haunt a Northern Lake \u2022 Lora Gray \u2022&nbsp;<em>Uncanny<\/em>&nbsp;55<\/li>\n\n\n\n<li>Imposter Syndrome \u2022 Robert Borski \u2022&nbsp;<em>Dreams and Nightmares<\/em>&nbsp;124<\/li>\n\n\n\n<li>The Incessant Rain \u2022 Rhiannon Owens \u2022&nbsp;<em>Evermore<\/em>&nbsp;3<\/li>\n\n\n\n<li>Interrogation About A Monster During Sleep Paralysis \u2022 Angela Liu \u2022&nbsp;<em>Strange Horizons<\/em>&nbsp;November<\/li>\n\n\n\n<li>Little Brown Changeling \u2022 Lauren Scharhag \u2022&nbsp;<em>Aphelion<\/em>&nbsp;283<\/li>\n\n\n\n<li>A Mere Million Miles from Earth \u2022 John C. Mannone \u2022&nbsp;<em>Altered Reality<\/em>&nbsp;April<\/li>\n\n\n\n<li>Pilot \u2022 Akua Lezli Hope \u2022&nbsp;<em>Black Joy Unbound<\/em>&nbsp;eds. Stephanie Andrea Allen &amp; Lauren Cherelle (BLF Press)<\/li>\n\n\n\n<li>Protocol \u2022 Jamie Simpher \u2022&nbsp;<em>Small Wonders<\/em>&nbsp;5<\/li>\n\n\n\n<li>St. Sebastian Goes To Confession \u2022 West Ambrose \u2022&nbsp;<em>Mouthfeel<\/em>&nbsp;1<\/li>\n\n\n\n<li>Sleep Dragon \u2022 Herb Kauderer \u2022&nbsp;<em>The Book of Sleep<\/em>&nbsp;(Written Image Press)<\/li>\n\n\n\n<li>Slow Dreaming \u2022 Herb Kauderer \u2022&nbsp;<em>The Book of Sleep<\/em>&nbsp;(Written Image Press)<\/li>\n\n\n\n<li>Value Measure \u2022 Joseph Halden and Rhonda Parrish \u2022&nbsp;<em>Dreams and Nightmares<\/em>&nbsp;125<\/li>\n\n\n\n<li>A Weather of My Own Making \u2022 Nnadi Samuel \u2022&nbsp;<em>Silver Blade<\/em>&nbsp;56<\/li>\n\n\n\n<li>Welcoming the New Girl \u2022 Beth Cato \u2022&nbsp;<em>Penumbric<\/em>&nbsp;October<\/li>\n\n\n\n<li>What You Find at the Center \u2022 Elizabeth R McClellan \u2022&nbsp;<em>Haven Spec Magazine<\/em>&nbsp;12<\/li>\n\n\n\n<li>The Witch Makes Her To-Do List \u2022 Theodora Goss \u2022&nbsp;<em>Uncanny<\/em>&nbsp;50<\/li>\n\n\n\n<li>The Year It Changed \u2022 David C. Kopaska-Merkel \u2022&nbsp;<em>Star*Line<\/em>&nbsp;46.4<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">All Nominated Poems<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">98 short poems and 62 long poems were nominated by 101 members.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Nominated Short Poems<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Alternating Current \u2022 F. J. Bergmann \u2022&nbsp;<em>North American Review<\/em>&nbsp;Vol 308 No 1<\/li>\n\n\n\n<li>Apposite and Opposite \u2022 Michael Bailey \u2022&nbsp;<em>HWA Poetry Showcase<\/em>&nbsp;X<\/li>\n\n\n\n<li>As Does the Crow \u2022 Beth Cato \u2022&nbsp;<em>Uncanny<\/em>&nbsp;53<\/li>\n\n\n\n<li>As the Night Sky Burns \u2022 Eugen Bacon \u2022&nbsp;<em>Texture of Silence<\/em>&nbsp;(Independent Legions Publishing))<\/li>\n\n\n\n<li>Attn: Prime Real Estate Opportunity! \u2022 Emily Ruth Verona \u2022&nbsp;<em>Under Her Eye: A Women in Horror Poetry Collection<\/em>&nbsp;Volume II<\/li>\n\n\n\n<li>Bathsheba\u2019s Corsage \u2022 Elena Sichrovsky \u2022&nbsp;<em>The Deadlands<\/em>&nbsp;30<\/li>\n\n\n\n<li>The Beauty of Monsters \u2022 Angela Liu \u2022&nbsp;<em>Small Wonders<\/em>&nbsp;1<\/li>\n\n\n\n<li>Beloved Death \u2022 Rebecca Marjesdatter \u2022&nbsp;<em>The Owl Kingdom and Other Poems<\/em><\/li>\n\n\n\n<li>Binary Star System \u2022 Lae Astra \u2022&nbsp;<em>Strange Horizons<\/em>&nbsp;November<\/li>\n\n\n\n<li>The Blight of Kezia \u2022 Patricia Gomes \u2022&nbsp;<em>HWA Poetry Showcase<\/em>&nbsp;X<\/li>\n\n\n\n<li>The Broken Blade \u2022 Denise Dumars \u2022&nbsp;<em>JOURN-E, The Journal of Imaginative Literature<\/em>&nbsp;2.1<\/li>\n\n\n\n<li>Chemical Rebalance For Young Cyborg Housewives \u2022 Mahaila Smith \u2022&nbsp;<em>Radon Journal<\/em>&nbsp;4<\/li>\n\n\n\n<li>The chittering moon \u2022 P S Cottier \u2022&nbsp;<em>Body of Work<\/em>, ed. C.Z. Tacks (Canberra Speculative Fiction Guild)<\/li>\n\n\n\n<li>Conspiracy Theories \u2022 Vince Gotera \u2022&nbsp;<em>The Ekphrastic Review<\/em>&nbsp;May<\/li>\n\n\n\n<li>The Day We All Died, A Little \u2022 Lisa Timpf \u2022&nbsp;<em>Radon<\/em>&nbsp;5<\/li>\n\n\n\n<li>The Dead Man \u2022 Robert Wooten \u2022&nbsp;<em>Dreams and Nightmares<\/em>&nbsp;125<\/li>\n\n\n\n<li>Deadweight \u2022 Jack Cooper \u2022&nbsp;<em>Propel<\/em>&nbsp;7<\/li>\n\n\n\n<li>Dear Mars \u2022 Susan L. Lin \u2022&nbsp;<em>The Sprawl Mag<\/em>&nbsp;1.2<\/li>\n\n\n\n<li>Dispatches from the Dragon&#8217;s Den \u2022 Mary Soon Lee \u2022&nbsp;<em>Star*Line<\/em>&nbsp;46.2<\/li>\n\n\n\n<li>Dr. Jekyll \u2022 West Ambrose \u2022&nbsp;<em>Thin Veil Press<\/em>&nbsp;December<\/li>\n\n\n\n<li>Dracula Considers Writing a Memoir \u2022 LindaAnn LoSchiavo \u2022&nbsp;<em>Quail Bell Magazine<\/em>&nbsp;October<\/li>\n\n\n\n<li>Dragon Sighting \u2022 Patricia Hemminger \u2022&nbsp;<em>Carmina Magazine<\/em>&nbsp;September<\/li>\n\n\n\n<li>Einstein&#8217;s Eyes \u2022 G. O. Clark \u2022&nbsp;<em>Dreams and Nightmares<\/em>&nbsp;123<\/li>\n\n\n\n<li>First Eclipse: Chang-O and the Jade Hare \u2022 Emily Jiang \u2022&nbsp;<em>Uncanny<\/em>&nbsp;53<\/li>\n\n\n\n<li>Five of Cups Considers Forgiveness \u2022 Ali Trotta \u2022&nbsp;<em>The Deadlands<\/em>&nbsp;31<\/li>\n\n\n\n<li>For the attention of my future self \u2022 Brian Hugenbruch \u2022&nbsp;<em>Haven Speculative<\/em>&nbsp;12<\/li>\n\n\n\n<li>Gods of the Garden \u2022 Steven Withrow \u2022&nbsp;<em>Spectral Realms<\/em>&nbsp;19<\/li>\n\n\n\n<li>A Good Soul, Really, When You Know Them \u2022 Elizabeth R. McClellan \u2022&nbsp;<em>Worlds of Possibility<\/em>&nbsp;October<\/li>\n\n\n\n<li>The Goth Girls&#8217; Gun Gang \u2022 Marisca Pichette \u2022&nbsp;<em>The Dread Machine<\/em>&nbsp;3.2<\/li>\n\n\n\n<li>Guiding Star \u2022 Tim Jones \u2022&nbsp;<em>Remains to be Told: Dark Tales of Aotearoa<\/em>, ed. Lee Murray (Clan Destine Press)<\/li>\n\n\n\n<li>Hallucinations Gifted to Me by Heatstroke \u2022 Morgan L. Ventura \u2022&nbsp;<em>Banshee<\/em>&nbsp;15<\/li>\n\n\n\n<li>The Hatter Shakes \u2022 Christina M. Rau \u2022&nbsp;<em>Neologism Poetry Journal<\/em>&nbsp;April<\/li>\n\n\n\n<li>heart sings to changeling heart \u2022 Rasha Abdulhadi \u2022&nbsp;<em>The Sprawl Mag<\/em>&nbsp;1.2<\/li>\n\n\n\n<li>Hell Rising \u2022 Michael Pendragon \u2022&nbsp;<em>Evermore<\/em>&nbsp;2<\/li>\n\n\n\n<li>hemiplegic migraine as willing human sacrifice \u2022 Ennis Rook Bashe \u2022&nbsp;<em>Eternal Haunted Summer<\/em>&nbsp;Winter Solstice<\/li>\n\n\n\n<li>Hi! I am your Cortical Update! \u2022 Mahaila Smith \u2022&nbsp;<em>Star*Line<\/em>&nbsp;46.3<\/li>\n\n\n\n<li>Hora Somni \u2022 Tiffany Morris \u2022&nbsp;<em>Uncanny Magazine<\/em>&nbsp;54<\/li>\n\n\n\n<li>How Noah Saved the Dinosaurs&#8211;a Litany \u2022 David Clink \u2022&nbsp;<em>The Black Ship<\/em><\/li>\n\n\n\n<li>How to Help Hubble \u2022 Mary Soon Lee \u2022&nbsp;<em>How to Navigate Our Universe<\/em><\/li>\n\n\n\n<li>How to Make the Animal Perfect? \u2022 Linda D. Addison \u2022&nbsp;<em>Weird Tales<\/em>&nbsp;100<\/li>\n\n\n\n<li>How to Plant an Olive Tree on the Moon When All Is Lost \u2022 Elena S. Kotsile \u2022&nbsp;<em>The Future Fire<\/em>&nbsp;June<\/li>\n\n\n\n<li>I Dreamt They Cast a Trans Girl to Give Birth to the Demon \u2022 Jennessa Hester \u2022&nbsp;<em>HAD<\/em>&nbsp;October<\/li>\n\n\n\n<li>In Your Dreams \u2022 Silvatiicus Riddle \u2022&nbsp;<em>Spectral Realms<\/em>&nbsp;18<\/li>\n\n\n\n<li>Invasive \u2022 Marcie Lynn Tentchoff \u2022&nbsp;<em>Polar Starlight<\/em>&nbsp;9<\/li>\n\n\n\n<li>Janeway Was Absolutely Right to Kill Tuvix \u2022 Jordan Hirsch \u2022&nbsp;<em>Strange Horizons<\/em>&nbsp;July<\/li>\n\n\n\n<li>kan-da-ka \u2022 Nadaa Hussein \u2022&nbsp;<em>Apparition Lit<\/em>&nbsp;23<\/li>\n\n\n\n<li>Language as a Form of Breath \u2022 Angel Leal \u2022&nbsp;<em>Apparition Lit<\/em>&nbsp;October<\/li>\n\n\n\n<li>The Lantern of September \u2022 Scott Couturier \u2022&nbsp;<em>Spectral Realms<\/em>&nbsp;19<\/li>\n\n\n\n<li>Let Us Dream \u2022 Myna Chang \u2022&nbsp;<em>Small Wonders<\/em>&nbsp;3<\/li>\n\n\n\n<li>Look into the Christmas Box \u2022 Amabilis O&#8217;Hara \u2022&nbsp;<em>Whispers from Beyond<\/em>&nbsp;(Crystal Lake Publishing)<\/li>\n\n\n\n<li>Made of Glass \u2022 Anna Madden \u2022&nbsp;<em>Haven Speculative<\/em>&nbsp;12<\/li>\n\n\n\n<li>The Magician&#8217;s Foundling \u2022 Angel Leal \u2022&nbsp;<em>Heartlines Spec<\/em>&nbsp;2<\/li>\n\n\n\n<li>The Man with the Stone Flute \u2022 Joshua St. Claire \u2022&nbsp;<em>Abyss &amp; Apex<\/em>&nbsp;87<\/li>\n\n\n\n<li>Mass-Market Affair \u2022 Casey Aimer \u2022&nbsp;<em>Star*Line<\/em>&nbsp;46.4<\/li>\n\n\n\n<li>Masters of the Future \u2022 Bruce Boston \u2022&nbsp;<em>Asimov&#8217;s<\/em>&nbsp;July\/August<\/li>\n\n\n\n<li>Me \u2022 Jamal Hodge \u2022&nbsp;<em>Qualia Nous<\/em>&nbsp;2<\/li>\n\n\n\n<li>Metal Lullaby \u2022 Herb Kauderer \u2022&nbsp;<em>The Book of Sleep<\/em><\/li>\n\n\n\n<li>Mom&#8217;s Surprise \u2022 Francis W. Alexander \u2022&nbsp;<em>Tales from the Moonlit Path<\/em>&nbsp;June<\/li>\n\n\n\n<li>Mother Hubble Tames the Unicorn Black Hole \u2022 Sandra Lindow \u2022&nbsp;<em>Dreams &amp; Nightmares<\/em>&nbsp;125<\/li>\n\n\n\n<li>Much After the Fact \u2022 Zebulon Huset \u2022&nbsp;<em>Phantom Kangaroo<\/em>&nbsp;29<\/li>\n\n\n\n<li>A Murder of Crows \u2022 Alicia Hilton \u2022&nbsp;<em>Ice Queen<\/em>&nbsp;11<\/li>\n\n\n\n<li>My Grotesque Treasure \u2022 Abi Marie Palmer \u2022&nbsp;<em>Star*Line<\/em>&nbsp;46.4<\/li>\n\n\n\n<li>My Mother Dreams of Endlessness \u2022 Angel Leal \u2022&nbsp;<em>Strange Horizons<\/em>&nbsp;December<\/li>\n\n\n\n<li>No One Now Remembers \u2022 Geoffrey Landis \u2022&nbsp;<em>Fantasy and Science Fiction<\/em>&nbsp;Nov.\/Dec.<\/li>\n\n\n\n<li>orion conquers the sky \u2022 Maria Zoccula \u2022&nbsp;<em>On Spec<\/em>&nbsp;33.2<\/li>\n\n\n\n<li>Patchwork Girl \u2022 Deborah L. Davitt \u2022&nbsp;<em>HWA Poetry Showcase<\/em>&nbsp;X<\/li>\n\n\n\n<li>Pines in the Wind \u2022 Karen Greenbaum-Maya \u2022&nbsp;<em>The Beautiful Leaves<\/em>&nbsp;(Bamboo Dart Press)<\/li>\n\n\n\n<li>The Poet Responds to an Invitation from the AI on the Moon \u2022 T.D. Walker \u2022&nbsp;<em>Radon Journal<\/em>&nbsp;5<\/li>\n\n\n\n<li>Poul Anderson&#8217;s Lay \u2022 Frida Westford \u2022&nbsp;<em>Speculative Poetry and the Modern Alliterative Revival: a Critical Anthology<\/em><\/li>\n\n\n\n<li>A Prayer for the Surviving \u2022 Marisca Pichette \u2022&nbsp;<em>Haven Speculative<\/em>&nbsp;9<\/li>\n\n\n\n<li>Pre-Nuptial \u2022 F. J. Bergmann \u2022&nbsp;<em>The Vampiricon<\/em>&nbsp;(Mind&#8217;s Eye Publications)<\/li>\n\n\n\n<li>The Problem of Pain \u2022 Anna Cates \u2022&nbsp;<em>Eye on the Telescope<\/em>&nbsp;49<\/li>\n\n\n\n<li>The Return of the Sauceress \u2022 F. J. Bergmann \u2022&nbsp;<em>The Flying Saucer Poetry Review<\/em>&nbsp;February<\/li>\n\n\n\n<li>Rubik&#8217;s Cube \u2022 Colleen Anderson \u2022&nbsp;<em>The Lore of Inscrutable Dreams&nbsp;<\/em>(Yuriko Publishing)<\/li>\n\n\n\n<li>Sea Change \u2022 David C. Kopaska-Merkel and Ann K. Schwader \u2022&nbsp;<em>Scifaikuest<\/em>&nbsp;May<\/li>\n\n\n\n<li>Seed of Power \u2022 Linda D. Addison \u2022&nbsp;<em>The Book of Witches<\/em>&nbsp;ed. Jonathan Strahan (Harper Collins)<\/li>\n\n\n\n<li>Self-Internalized \u2022 Maxwell I. Gold \u2022&nbsp;<em>Bleeding Rainbows and Other Broken Spectrums<\/em>&nbsp;June<\/li>\n\n\n\n<li>Shipwrecker&#8217;s Ball \u2022 Alannah Guevara \u2022&nbsp;<em>The Crow&#8217;s Nest<\/em>&nbsp;December<\/li>\n\n\n\n<li>The Singing Girl \u2022 Kim Salinas Silva \u2022&nbsp;<em>Abyss &amp; Apex<\/em>&nbsp;87<\/li>\n\n\n\n<li>Sleeping Beauties \u2022 Carina Bissett \u2022&nbsp;<em>HWA Poetry Showcase<\/em>&nbsp;X<\/li>\n\n\n\n<li>Solar Punks \u2022 J. D. Harlock \u2022&nbsp;<em>The Dread Machine<\/em>&nbsp;3.1<\/li>\n\n\n\n<li>Song of the Last Hour \u2022 Samuel A. Betiku \u2022&nbsp;<em>The Deadlands<\/em>&nbsp;22<\/li>\n\n\n\n<li>Sphinx \u2022 Mary Soon Lee \u2022&nbsp;<em>Asimov&#8217;s<\/em>&nbsp;September\/October<\/li>\n\n\n\n<li>Storm Watchers (a drabbun) \u2022 Terrie Leigh Relf \u2022&nbsp;<em>Space &amp; Time<\/em><\/li>\n\n\n\n<li>A Stranger There \u2022 Eugen Bacon \u2022&nbsp;<em>Texture of Silence<\/em>&nbsp;(Independent Legions Publishing)<\/li>\n\n\n\n<li>Sunflower Astronaut \u2022 Charlie Espinosa \u2022&nbsp;<em>Strange Horizons<\/em>&nbsp;July<\/li>\n\n\n\n<li>Tea Leaf Reading \u2022 Juleigh Howard-Hobson \u2022&nbsp;<em>Myth and Lore<\/em>&nbsp;7<\/li>\n\n\n\n<li>Three Hearts as One \u2022 G. O. Clark \u2022&nbsp;<em>Asimov&#8217;s<\/em>&nbsp;May\/June<\/li>\n\n\n\n<li>To the Emperor\u2019s Nightingale \u2022 Adele Gardner \u2022&nbsp;<em>Collected Winning Poems from the Poetry Society of Virginia<\/em><\/li>\n\n\n\n<li>Troy \u2022 Carolyn Clink \u2022&nbsp;<em>Polar Starlight<\/em>&nbsp;12<\/li>\n\n\n\n<li>Twenty-Fifth Wedding Anniversary \u2022 John Grey \u2022&nbsp;<em>Medusa&#8217;s Kitchen<\/em>&nbsp;September<\/li>\n\n\n\n<li>Uncensored Footage of the Cyborg at the U.S. Embassy \u2022 Abu Bakr Sadiq \u2022&nbsp;<em>Boston Review<\/em>&nbsp;June<\/li>\n\n\n\n<li>Under World \u2022 Jacqueline West \u2022&nbsp;<em>Carmina Magazine<\/em>&nbsp;September<\/li>\n\n\n\n<li>Walking in the Starry World \u2022 John Philip Johnson \u2022&nbsp;<em>Orion&#8217;s Belt<\/em>&nbsp;May<\/li>\n\n\n\n<li>We Are Orphans \u2022 Avra Margariti \u2022&nbsp;<em>Heartlines Spec<\/em>&nbsp;Fall\/Winter<\/li>\n\n\n\n<li>When We Could Finally See Our Ribcages \u2022 Angela Nicole Duggins \u2022&nbsp;<em>Chrome Baby<\/em>&nbsp;120<\/li>\n\n\n\n<li>Whispers in Ink \u2022 Angela Yuriko Smith \u2022&nbsp;<em>Whispers from Beyond<\/em>&nbsp;(Crystal Lake Publishing)<\/li>\n\n\n\n<li>Whole World \u2022 Colleen Anderson \u2022&nbsp;<em>Polar Starlight<\/em>&nbsp;12<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Nominated Long Poems<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Archivist of a Lost World \u2022 Gerri Leen \u2022&nbsp;<em>Eccentric Orbits<\/em>&nbsp;4<\/li>\n\n\n\n<li>As the witch burns \u2022 Marisca Pichette \u2022&nbsp;<em>Fantasy<\/em>&nbsp;87<\/li>\n\n\n\n<li>Below the Bible Belt \u2022 Lauren Scharhag \u2022&nbsp;<em>Thanatos<\/em>&nbsp;2<\/li>\n\n\n\n<li>Between Scylla and Charybdis \u2022 Carina Bissett \u2022&nbsp;<em>The Future Fire<\/em>&nbsp;June<\/li>\n\n\n\n<li>Brigid the Poet \u2022 Adele Gardner \u2022&nbsp;<em>Eternal Haunted Summer<\/em>&nbsp;Summer Solstice<\/li>\n\n\n\n<li>Chantress \u2022 Akua Lezli Hope \u2022&nbsp;<em>Unioverse<\/em><\/li>\n\n\n\n<li>Coding a Demi-griot (An Olivian Measure) \u2022 Armoni \u201cMonihymn\u201d Boone \u2022&nbsp;<em>Fiyah<\/em>&nbsp;26<\/li>\n\n\n\n<li>Consent For Facial Reconstruction With the Shelley Concepts Inc Custom Patient-Fitted Reconstruction Prosthesis \u2022 Katie R. Yen \u2022&nbsp;<em>Apparition Lit<\/em>&nbsp;21<\/li>\n\n\n\n<li>Cradling Fish \u2022 Laura Ma \u2022&nbsp;<em>Strange Horizons<\/em>&nbsp;May<\/li>\n\n\n\n<li>The Creature from the Black Lagoon is Your Father \u2022 Brandon O&#8217;Brien \u2022&nbsp;<em>Strange Horizons<\/em>&nbsp;October<\/li>\n\n\n\n<li>Cupid Visits the Archery Club \u2022 Lisa Timpf \u2022&nbsp;<em>Illumen<\/em>&nbsp;Summer<\/li>\n\n\n\n<li>Don&#8217;t Make me Come Back \u2022 Gerri Leen \u2022&nbsp;<em>Eccentric Orbits<\/em>&nbsp;4<\/li>\n\n\n\n<li>Dragons Got Wings \u2022 Ruth Berman \u2022&nbsp;<em>Dreams and Nightmares<\/em>&nbsp;124<\/li>\n\n\n\n<li>Dream Visions \u2022 Melissa Ridley Elmes \u2022&nbsp;<em>Eccentric Orbits<\/em>&nbsp;4<\/li>\n\n\n\n<li>Eight Dwarfs on Planet X \u2022 Avra Margariti \u2022&nbsp;<em>Radon Journal<\/em>&nbsp;3<\/li>\n\n\n\n<li>The Empress Chides the Hermit \u2022 Ali Trotta \u2022&nbsp;<em>Small Wonders<\/em>&nbsp;0<\/li>\n\n\n\n<li>The Giants of Kandahar \u2022 Anna Cates \u2022&nbsp;<em>Abyss &amp; Apex<\/em>&nbsp;88<\/li>\n\n\n\n<li>Glitterman \u2022 Richard Stevenson \u2022&nbsp;<em>The Flying Saucer Poetry Review<\/em>&nbsp;February<\/li>\n\n\n\n<li>The Grey Witch&#8217;s Haibun: Japan 1870 &#8211; 1871 \u2022 Calie Voorhis \u2022&nbsp;<em>Strange Horizons<\/em>&nbsp;August<\/li>\n\n\n\n<li>Had She Lived \u2022 Lori R. Lopez \u2022&nbsp;<em>Dreams and Nightmares<\/em>&nbsp;124<\/li>\n\n\n\n<li>Hades Baedeker \u2022 Ken Chen \u2022&nbsp;<em>Granta<\/em>&nbsp;27<\/li>\n\n\n\n<li>Hamelin in the Distance \u2022 Maria Schrater \u2022&nbsp;<em>Heroic Fantasy Quarterly<\/em>&nbsp;58<\/li>\n\n\n\n<li>How A Xenomorph Knows \u2022 Annika Barranti Klein \u2022&nbsp;<em>Kaleidotrope<\/em>&nbsp;winter<\/li>\n\n\n\n<li>How to Haunt a Northern Lake \u2022 Lora Gray \u2022&nbsp;<em>Uncanny<\/em>&nbsp;55<\/li>\n\n\n\n<li>How to Make Love to a Saguaro Cactus \u2022 Spencer Nitkey \u2022&nbsp;<em>Cream Scene Carnival<\/em>&nbsp;August<\/li>\n\n\n\n<li>hyphae hot pot \u2022 D.A. Xiaolin Spires \u2022&nbsp;<em>Eye to the Telescope<\/em>&nbsp;48<\/li>\n\n\n\n<li>I Was on My Way to Tell You There Is a Vast Machine Intelligence Plotting Our Downfall, Or, the Time Machine \u2022 David Clink \u2022&nbsp;<em>The Black Ship<\/em><\/li>\n\n\n\n<li>Imposter Syndrome \u2022 Robert Borski \u2022&nbsp;<em>Dreams and Nightmares<\/em>&nbsp;124<\/li>\n\n\n\n<li>The Incessant Rain \u2022 Rhiannon Owens \u2022&nbsp;<em>Evermore<\/em>&nbsp;3<\/li>\n\n\n\n<li>Interrogation About A Monster During Sleep Paralysis \u2022 Angela Liu \u2022&nbsp;<em>Strange Horizons<\/em>&nbsp;November<\/li>\n\n\n\n<li>Knight of Wands, Six of Swords \u2022 Ali Trotta \u2022&nbsp;<em>Uncanny<\/em>&nbsp;54<\/li>\n\n\n\n<li>The Lay of G\u00e9ac Ettinfell \u2022 Adam Bolivar \u2022&nbsp;<em>Speculative Poetry and the Modern Alliterative Revival: A Critical Anthology<\/em>&nbsp;December<\/li>\n\n\n\n<li>Little Brown Changeling \u2022 Lauren Scharhag \u2022&nbsp;<em>Aphelion<\/em>&nbsp;283<\/li>\n\n\n\n<li>Lost Lines from Ariel&#8217;s Song \u2022 Gretchen Tessmer \u2022&nbsp;<em>Fantasy and Science Fiction<\/em>&nbsp;768<\/li>\n\n\n\n<li>Lying Flat \u2022 Lynne Sargent \u2022&nbsp;<em>Strange Horizons<\/em>&nbsp;October<\/li>\n\n\n\n<li>A Mere Million Miles from Earth \u2022 John C. Mannone \u2022&nbsp;<em>Altered Reality<\/em>&nbsp;April<\/li>\n\n\n\n<li>The mirror-backed cabinet in oak \u2022 Richard Magahiz \u2022&nbsp;<em>Otoliths<\/em>&nbsp;69<\/li>\n\n\n\n<li>Never an Oasis \u2022 Brian Hugenbruch \u2022&nbsp;<em>Star*Line<\/em>&nbsp;46.1<\/li>\n\n\n\n<li>The Nomad \u2022 Marge Simon \u2022&nbsp;<em>Fantasy and Science Fiction<\/em>&nbsp;Mar.\/Apr.<\/li>\n\n\n\n<li>Pilot \u2022 Akua Lezli Hope \u2022&nbsp;<em>Black Joy Unbound<\/em>&nbsp;eds. Stephanie Andrea Allen &amp; Lauren Cherelle (BLF Press)<\/li>\n\n\n\n<li>Protocol \u2022 Jamie Simpher \u2022&nbsp;<em>Small Wonders<\/em>&nbsp;5<\/li>\n\n\n\n<li>Robin Hood\u2019s Larder\u2019s Torn Roots \u2022 Kim Malinowski \u2022&nbsp;<em>Fairy Tale Magazine<\/em>&nbsp;Spring<\/li>\n\n\n\n<li>St. Sebastian Goes To Confession \u2022 West Ambrose \u2022&nbsp;<em>Mouthfeel<\/em>&nbsp;1<\/li>\n\n\n\n<li>She Seeks a Home \u2022 Beth Cato \u2022&nbsp;<em>Small Wonders<\/em>&nbsp;0<\/li>\n\n\n\n<li>Skinner \u2022 Frank Coffman \u2022&nbsp;<em>What the Night Brings<\/em>&nbsp;August<\/li>\n\n\n\n<li>Sleep Dragon \u2022 Herb Kauderer \u2022&nbsp;<em>The Book of Sleep<\/em>&nbsp;(Written Image Press)<\/li>\n\n\n\n<li>Slow Dreaming \u2022 Herb Kauderer \u2022&nbsp;<em>The Book of Sleep<\/em>&nbsp;(Written Image Press)<\/li>\n\n\n\n<li>The Thing That Leaps \u2022 Elis Montgomery \u2022&nbsp;<em>Apparition Lit<\/em>&nbsp;23<\/li>\n\n\n\n<li>To the Far-Shooting God of Poetry, Healing, and Sunlight \u2022 Calliope Mertig \u2022&nbsp;<em>Eternal Haunted Summer<\/em>&nbsp;Summer Solstice<\/li>\n\n\n\n<li>Tomorrow I\u2019ll Be Five \u2022 Jamal Hodge \u2022&nbsp;<em>Whispers from Beyond<\/em>&nbsp;(Crystal Lake Publishing)<\/li>\n\n\n\n<li>Troop No. 80085 \u2022 Marisca Pichette \u2022&nbsp;<em>The Deadlands<\/em>&nbsp;32<\/li>\n\n\n\n<li>The Truth Is As Intimate As The Teeth That Bit Your Legs Off First \u2022 Elizabeth McClellan \u2022&nbsp;<em>Sand, Salt, Blood: An Anthology of Sea Horror<\/em><\/li>\n\n\n\n<li>The Two of Coins \u2022 Lauren Scharhag \u2022&nbsp;<em>Decomp Journal<\/em>&nbsp;6<\/li>\n\n\n\n<li>Value Measure \u2022 Joseph Halden and Rhonda Parrish \u2022&nbsp;<em>Dreams and Nightmares<\/em>&nbsp;125<\/li>\n\n\n\n<li>A Weather of My Own Making \u2022 Nnadi Samuel \u2022&nbsp;<em>Silver Blade<\/em>&nbsp;56<\/li>\n\n\n\n<li>Welcoming the New Girl \u2022 Beth Cato \u2022&nbsp;<em>Penumbric<\/em>&nbsp;October<\/li>\n\n\n\n<li>What You Find at the Center \u2022 Elizabeth R McClellan \u2022&nbsp;<em>Haven Spec Magazine<\/em>&nbsp;12<\/li>\n\n\n\n<li>When the Honeymoon is Over \u2022 Lauren Scharhag \u2022&nbsp;<em>Aphelion<\/em>&nbsp;282.27<\/li>\n\n\n\n<li>The Witch Makes Her To-Do List \u2022 Theodora Goss \u2022&nbsp;<em>Uncanny<\/em>&nbsp;50<\/li>\n\n\n\n<li>Would You, Empress \u2022 Tara Campbell \u2022&nbsp;<em>Voices of the Winter Solstice<\/em>&nbsp;December<\/li>\n\n\n\n<li>The Year It Changed \u2022 David C. Kopaska-Merkel \u2022&nbsp;<em>Star*Line<\/em>&nbsp;46.4<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Nominations per Publication<\/h2>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><thead><tr><th>Publication<\/th><th>Nominations<\/th><\/tr><\/thead><tbody><tr><td>Abyss &amp; Apex<\/td><td>3<\/td><\/tr><tr><td>Altered Reality<\/td><td>1<\/td><\/tr><tr><td>Aphelion<\/td><td>2<\/td><\/tr><tr><td>Apparition Lit<\/td><td>4<\/td><\/tr><tr><td>Asimov&#8217;s<\/td><td>3<\/td><\/tr><tr><td>Banshee<\/td><td>1<\/td><\/tr><tr><td>The Beautiful Leaves<\/td><td>1<\/td><\/tr><tr><td>Black Joy Unbound<\/td><td>1<\/td><\/tr><tr><td>The Black Ship<\/td><td>2<\/td><\/tr><tr><td>Bleeding Rainbows and Other Broken Spectrums<\/td><td>1<\/td><\/tr><tr><td>Body of Work<\/td><td>1<\/td><\/tr><tr><td>The Book of Sleep<\/td><td>3<\/td><\/tr><tr><td>The Book of Withces<\/td><td>1<\/td><\/tr><tr><td>Boston Review<\/td><td>1<\/td><\/tr><tr><td>Carmina Magazine<\/td><td>2<\/td><\/tr><tr><td>Chrome Baby<\/td><td>1<\/td><\/tr><tr><td>Collected Winning Poems from the Poetry Society of Virginia<\/td><td>1<\/td><\/tr><tr><td>Cream Scene Carnival<\/td><td>1<\/td><\/tr><tr><td>The Crow&#8217;s Nest<\/td><td>1<\/td><\/tr><tr><td>The Deadlands<\/td><td>4<\/td><\/tr><tr><td>The Dread Machine<\/td><td>2<\/td><\/tr><tr><td>Decomp Journal<\/td><td>1<\/td><\/tr><tr><td>Dreams and Nightmares<\/td><td>6<\/td><\/tr><tr><td>Eccentric Orbits<\/td><td>3<\/td><\/tr><tr><td>The Ekphrastic Review<\/td><td>1<\/td><\/tr><tr><td>Eternal Haunted Summer<\/td><td>3<\/td><\/tr><tr><td>Evermore<\/td><td>2<\/td><\/tr><tr><td>Eye to the Telescope<\/td><td>2<\/td><\/tr><tr><td>Fairy Tale Magazine<\/td><td>1<\/td><\/tr><tr><td>Fantasy<\/td><td>1<\/td><\/tr><tr><td>Fantasy &amp; Science Fiction<\/td><td>3<\/td><\/tr><tr><td>Fiyah Magazine<\/td><td>1<\/td><\/tr><tr><td>The Flying Saucer Poetry Review<\/td><td>2<\/td><\/tr><tr><td>The Future Fire<\/td><td>2<\/td><\/tr><tr><td>Granta<\/td><td>1<\/td><\/tr><tr><td>HAD<\/td><td>1<\/td><\/tr><tr><td>Haven Speculative<\/td><td>4<\/td><\/tr><tr><td>Heartlines Spec<\/td><td>2<\/td><\/tr><tr><td>Heroic Fantasy Quarterly<\/td><td>1<\/td><\/tr><tr><td>How to Navigate Our Universe<\/td><td>1<\/td><\/tr><tr><td>HWA Poetry Showcase<\/td><td>4<\/td><\/tr><tr><td>Ice Queen<\/td><td>1<\/td><\/tr><tr><td>Illumen<\/td><td>1<\/td><\/tr><tr><td>JOURN-E<\/td><td>1<\/td><\/tr><tr><td>The Lore of Inscrutable Dreams<\/td><td>1<\/td><\/tr><tr><td>Kaleidotrope<\/td><td>1<\/td><\/tr><tr><td>Medusa&#8217;s Kitchen<\/td><td>1<\/td><\/tr><tr><td>Mouthfeel<\/td><td>1<\/td><\/tr><tr><td>Myth and Lore<\/td><td>1<\/td><\/tr><tr><td>Neologism Poetry Annual<\/td><td>1<\/td><\/tr><tr><td>North American Review<\/td><td>1<\/td><\/tr><tr><td>On Spec<\/td><td>1<\/td><\/tr><tr><td>Orion&#8217;s Belt<\/td><td>1<\/td><\/tr><tr><td>Otoliths<\/td><td>1<\/td><\/tr><tr><td>The Owl Kingdom and Other Poems<\/td><td>1<\/td><\/tr><tr><td>Penumbric<\/td><td>1<\/td><\/tr><tr><td>Phantom Kangaroo<\/td><td>1<\/td><\/tr><tr><td>Polar Starlight<\/td><td>3<\/td><\/tr><tr><td>Propel<\/td><td>1<\/td><\/tr><tr><td>Quail Bell Magazine<\/td><td>1<\/td><\/tr><tr><td>Qualia Nous<\/td><td>1<\/td><\/tr><tr><td>Radon Journal<\/td><td>4<\/td><\/tr><tr><td>Remains to be Told: Dark Tales of Aotearoa<\/td><td>1<\/td><\/tr><tr><td>Sand, Salt, Blood: An Anthology of Sea Horror<\/td><td>1<\/td><\/tr><tr><td>Scifaikuest<\/td><td>1<\/td><\/tr><tr><td>Silver Blade<\/td><td>1<\/td><\/tr><tr><td>Small Wonders<\/td><td>5<\/td><\/tr><tr><td>Space &amp; Time<\/td><td>1<\/td><\/tr><tr><td>Spectral Realms<\/td><td>3<\/td><\/tr><tr><td>Speculative Poetry and the Modern Alliterative Revival: A Critical Anthology<\/td><td>2<\/td><\/tr><tr><td>The Sprawl Mag<\/td><td>2<\/td><\/tr><tr><td>Star*Line<\/td><td>6<\/td><\/tr><tr><td>Strange Horizons<\/td><td>9<\/td><\/tr><tr><td>Tales from the Moonlit Path<\/td><td>1<\/td><\/tr><tr><td>Texture of Silence<\/td><td>2<\/td><\/tr><tr><td>Thanatos<\/td><td>1<\/td><\/tr><tr><td>Thin Veil Press<\/td><td>1<\/td><\/tr><tr><td>Uncanny<\/td><td>7<\/td><\/tr><tr><td>Under Her Eye: A Women in Horror Poetry Collection<\/td><td>1<\/td><\/tr><tr><td>Unioverse<\/td><td>1<\/td><\/tr><tr><td>The Vampyricon<\/td><td>1<\/td><\/tr><tr><td>Voices of the Winter Solstice<\/td><td>1<\/td><\/tr><tr><td>Weird Tales<\/td><td>1<\/td><\/tr><tr><td>What the Night Brings<\/td><td>1<\/td><\/tr><tr><td>Whispers from Beyond<\/td><td>3<\/td><\/tr><tr><td>Worlds of Possibility<\/td><td>1<\/td><\/tr><\/tbody><\/table><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Anthology Information Editors and Rhysling Chairs:David C. Kopaska-Merkel &amp; Brian U. Garrison Book Design: F.J. Bergmann Cover Image:&nbsp; Publisher: Science Fiction Poetry Association Menu All Award Winners Short Poem Category First Place: \u201cNo One Now Remembers\u201d \u2022 Geoffrey A. Landis \u2022&nbsp;Fantasy and Science Fiction&nbsp;November\/December Second Place: \u201cLanguage as a Form of Breath\u201d \u2022 Angel Leal [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":95,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"pagelayer_contact_templates":[],"_pagelayer_content":"","footnotes":""},"class_list":["post-1183","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sfpoetry.org\/wp\/wp-json\/wp\/v2\/pages\/1183","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sfpoetry.org\/wp\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sfpoetry.org\/wp\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sfpoetry.org\/wp\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sfpoetry.org\/wp\/wp-json\/wp\/v2\/comments?post=1183"}],"version-history":[{"count":3,"href":"https:\/\/sfpoetry.org\/wp\/wp-json\/wp\/v2\/pages\/1183\/revisions"}],"predecessor-version":[{"id":9212,"href":"https:\/\/sfpoetry.org\/wp\/wp-json\/wp\/v2\/pages\/1183\/revisions\/9212"}],"up":[{"embeddable":true,"href":"https:\/\/sfpoetry.org\/wp\/wp-json\/wp\/v2\/pages\/95"}],"wp:attachment":[{"href":"https:\/\/sfpoetry.org\/wp\/wp-json\/wp\/v2\/media?parent=1183"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}